All posts by Brian Mc

Album Review: Blink 182 – California

Blink 182 - CaliforniaIt’s pretty crazy to me that Blink 182 still exists.  Don’t get me wrong, I have been a fan since the 90s when they were just some unknown pop-punkers.  After all they have been through, all of the fame, all of the drama, and most of all the departure of one Tom DeLonge, wouldn’t you think the band would just call it quits for good already?

Perhaps in a fit of spite, Mark Hoppus and Travis Barker continued on and invited Alkaline Trio‘s Matt Skiba to take on vocal/guitar duties for a reunion show of sorts.  I remember thinking “how bad ass would that be if Skiba just joined them and they put out a new album?”  I know I was not the only one who thought that either.

Shortly after, it was confirmed Skiba had joined Blink and they were recording a new album.  Now here I am about to throw some words and whatnot into a review for it.  Perhaps a little delayed, but here it is.

Time for a story about me.  Feel free to skip over…

The lyrics “nobody likes you when you’re 23” will always have special meaning in my mind for the rest of my life.  Any Blink fan knows what song those lyrics come from.  The year that song came out, an immature me swore the song was about my own experiences in a sense as I worked hard to get through a tough year thanks to an ex-psycho girlfriend and my own bad decision-making.

What I am trying to get at is simple, I was a Blink fan back then.  “Dammit” was one of my go to songs, I loved Dude Ranch and Cheshire Cat.  I remember even seeing Blink live at Blossom with Bad Religion opening for the Enema of the State tour.  That was the show Barker missed as he broke his hand punching some a-hole at the Taco Bell my cousin was working at in Akron.  Good times.

A few years later thanks to an old friend, I scored a front row ticket to see them again at Blossom with No Doubt.  Both shows were amazing.

As the years passed, more Blink albums came out, Angels & Airwaves, Boxcar Racer, Transplants, and other side projects emerged, and Blink slowly moved out of my continual rotation of daily tunes.  It happens folks, you know exactly what I am talking about.  I got bored with them.

Blink-182A certain Blink flame was re-ignited inside of me the day I heard Skiba was going to be on their new album.  I remember hearing the first single off the new album, I was stoked.  I still am stoked.  So pardon my fandom and honestly on this post, these are my favorite reviews to do, the ones that I am legit excited to write on.

California is Blink 182’s seventh full-length release.  Currently consisting of Hoppus, Barker, and the recent addition of Skiba (Alkaline Trio), who replaced Tom DeLonge.  Blink 182 has been around since the early 90s and moved from a silly pop-punk band on underground labels, to a heavy-hitting act selling out stages all over the world.

When I listened to California the first time, my initial thought was that there was a lot of filler songs on the album.  Long gone are the days of bands putting out albums with 16 tracks.  After listening to the album over and over, that thought went away.

Opening track “Cynical” reminded me of past Blink material, at least the start did.  Barker’s over the top drumming helped speed up the song and Skiba’s introductory backup singing proved this was not going to be the same Blink at all and not in a bad way.

“Bored To Death” has already taken over the radio stations.  The beginning had an “Adam’s Song” similarity to it, but not enough to discourage.  When the band jumps in together at the chorus, it pretty much blew me away.  I know in time I am going to get sick of this song in time as it will be played over and over, but until that happens, I am going to enjoy the hell out of it.  The video for the song cracked me up too, but only because I have reached old man status and remember feeling invincible once.

“She’s Out of Her Mind” will probably take responsibility for the younger generation to have a sudden interest in Bauhaus.  Aside from that, this catchy song really planted a positive reminder that you should be yourself and not care about what others think.

“Los Angeles” was more of a rock masterpiece than a pop-punk track.  I would not be shocked if this track alone brings in new fans of all ages.  Hoppus and Skiba trading vocals and howls throughout was just perfect.

A more realistic “Sober” sang a story about substance-abused-rough-times in relationships and carried a level of honesty throughout.  It was easy to compare my own bad decisions from my past in this track and also recall the apologetic resolutions.  This song grew on me the more and more I listened to it.  I loved the lyric “I’m a dandelion, you’re a four-leafed clover.”

The quick “Built This Pool” was about as crass as the band got on this album.  Seeing how raw they used to be, I am glad they have not completely thrown away their comical ideals.  Personally speaking, I really was hoping for a lot more of their humor throughout.

Skiba just killed it on “No Future”.  This track was the song that had me smiling ear to ear knowing that Skiba was the perfect fit for the redesigned Blink.  Hoppus and Skiba compliment the hell out of one another on this track.  This dreary track which seemingly sounded like a humble departure, was one of the more catchier ones on the entire album for me.

“Kings of the Weekend” was one of the tracks I felt was more of a filler track at first, but the more I listened to it, the more I enjoyed it.  This is everything a Blink fan could want in a Blink song.  Not to mention the different singing styles keep things interesting.

I feel like I can say there is a lot I can say about”San Diego” as it really reminded me of the good times, but I won’t.  I will just say it has grown on me a lot and I know the younger generation is going to eat this song up.

“Brohemian Rhapsody” was lame until I saw this:

Then it was hilarious…

All in all, California is an exceptional release.  I can admit that I have not been a fan of Blink’s last few releases, but this one hits all the high marks in my mind.  Initially I told myself and others that I only liked about 70% of the album, but the more and more I listen to it, the more I am digging it.

Perhaps my liking of California is because Skiba is on board now and I’ve been a AK3 fan for as long as I can remember, but I wish nothing but the best for Blink 182 and love seeing them at the top of the music world again.  I seriously hope they continue and can not wait to see what they come up with next.

Album Review: Jonathan Richman – Ishkode! Ishkode!

Jonathan RichmanI recall the very day when I was first introduced to Jonathan Richman.

Sometimes I wish I could say it was because I came across a Modern Lovers album at a young age, but the truth is, I learned of him in the mid-90s thanks to Repo Man on VHS.  As many of you know, there was a Modern Lovers song on the soundtrack and I fell in love with it instantly.

That was a long time ago and I have never stopped being a fan.  So I am sure you can imagine how stoked I am to have been given the opportunity to review Richman’s latest release titled Ishkode! Ishkode!.

I have to admit though, I have been sitting on this review for a few weeks now as I wanted to make sure I said the right words as this artist is so important to me.

So here I am pondering and making a big deal about an album by a guy who has inspired me to be myself.  After listening to this album probably for the 100th time, I felt today was the day to share.

Ishkode! Ishkode! dropped last month on Cleveland’s very own Blue Arrow Records.  This is Richman’s first release in over six years and was well worth the wait.  Assisting Richman on this release was Tommy Larkins, Lisa Marie, Kelly Brown, and a handful of other friends.

Starting off the album was “Woah! How Different We All Are!”, a more underground, beatnik sounding track that had Richman and crew taking a darker approach.  Not goofy by any means but certainly something Warhol would have been a fan of.

“Ishkode! Ishkode!” carried the style Richman has presented over and over I have grown to appreciate.  I loved when Richman, once warmed up, just went on a mini tangent with some amped up guitar playing.

I heard “Wait! Wait!” last year when Richman dropped a pair of 45s via Blue Arrow Records.  This track is so fun it is ridiculous.  I hate to repeat myself, so go check out what I said about it previously.  I also talk about “O’Sun!” too.

“‘a Nnammurata Mia” which translates to My Beloved, was easily my favorite track off the entire album.  I felt like I was on vacation listening to it as Richman swooned me away in Italian and English.  Seriously though, Richman displayed himself to me in a new level on this song while blending the two languages so perfectly.  It was beautiful.

The love fueled “Let Me Do This Right!” should be the soundtrack for all mantra.  Even though it was the quickest song on the album, it was gentle, repetitious, and honest.

“Outside Oduffy’s” just had me smirking the entire time the song played.  This was a comical track that just had me visualizing Richman talking to a girl outside of a pub, falling head over heels in 10 minutes.  This was Richman storytelling at it’s finest.  Having the ladies sing along made it that much better.

“Longtemps” returned back to that vacation feeling I had earlier with the versatile Richman showing his true talent in a different tongue – French to be exact.  Originally written by Charles Trenet in 1955, Richman covered it quite well.

Closing the album was “Mother I Give You My Soul Call”, a chant written by Paramahansa Yogananda.  It is beyond why Richman chose this song to cover, but it was absolutely captivating to listen to.  The sitar playing over the low toned instrument that escapes me at this time (please feel free to help me out here) was calm and relaxing to listen to while Richman recited the chant.  This was an incredibly unique listen.

For anyone who is a fan of Richman, listening to this album was an experience of its own.  At first, I could not place my finger on some of the tracks and felt Richman was just doing something different because he can, but as I listened more and more, it made sense to me.  This album was Richman continuing his legacy as a musician and merely enhanced his talents.  It’s a fantastic release.

Head over to Blue Arrow Records to order a copy of Richman’s new album.  If you are lucky enough to live in Cleveland, just take some time and visit their brick and mortar store.  You will not be disappointed.  I always enjoy my visits there and you can just pick up a copy of the LP yourself.

Concert Review: The Falcon / Worriers / The Lippies @ The Grog Shop – Cleveland, OH – 04/06/2016

[Passing the mic/keyboard/whatever over to my pal Jason Utes who covered the recent Falcon show that filled up the Grog Shop on Wednesday night.  Thanks Utes for the killer review!  It appears that I missed one hell of a show]

“I wanna die and I don’t care who knows.”

If you’re reading this, you are probably already a fan of The Falcon. Otherwise, if I told you I was going to see a band with such lyrical presentation, you would imagine something far different from what I experienced Wednesday night.

Ostensibly, The Falcon is a band that exists primarily for the sake of the band members to get together and have fun playing music, free from the expectations of their higher-profile projects which include The Lawrence Arms, Alkaline Trio, The Loved Ones, and the Smoking Popes, to name just a few.  Seriously, Neil could add probably a dozen more credits on his own, and this band is now one degree of separation from Blink-182 (more on that later).

So, if the band exists in the name of a good time, how is that going to translate to the stage when they are touring in support of the mostly bleak and harrowing (but excellent) Gather Up the Chaps?

The FalconGranted the album cover, which features a despondent leather daddy in the same vein as certain Minor Threat and Rancid album covers, achieves a humorous yet somber sexuality that Third Eye Blind only achieves on accident, this record is still a serious undertaking even with song titles such as “Hasselhoff Cheeseburger” and “You Dumb Dildos” boldly printed on the sleeve. (Enough about the album itself, you can check out the review of the album).  Rest assured, the answer is that the show was a great time for band and crowd alike.

The Lippies, from Grand Rapids, kicked things off for me (Note: I did not make it in time for Blacklister to kick things off). The band took the stage led by Tonia Broucek who addressed the crowd with a politeness that bordered on timid that simply didn’t last. Once the band kicked into their brand of 1990’s Lookout Records reminiscent punk rock, she became an authoritative force that demanded (and received) control of the entire Grog Shop.

At one point, she entered the crowd to lay on the ground in a mock temper tantrum and her sheer aggression parted the crowd like riot police.  Broucek easily had the most confident and effortless stage command of the entire night. The real pleasant surprise of the set came when the band receded for a haunting solo rendition of “It Boils” off of their eponymous full-length that left everyone rattled. Standout songs to check out: “302” and “It Boils” which you can find on their BandCamp page.

Next up were Worriers, touring in support of the incredible Imaginary Life. This band became one of the highlights of the night for me [as] every song sounded fundamentally different but clearly had the same fingerprints. For fans of thoughtful and melodic rock, hopefully they won’t mind that I mentally catalogued them in the company of The Weakerthans. This was definitely a more highbrow compliment to what the Falcon had in store next (again, hopefully taken as praise by both parties). Check out “Glutton for Distance” and “Plans” on their BandCamp page.

By the time the PA started blaring Bad Lip Reading’s “The Bushes of Love” (I’d be remiss if I didn’t mention that Lovegun played just before), The Falcon took the stage. From the opening riff of “The Angry Cry of the Angry Pie” the show was the usual onslaught of humor and spastic punk rock.

The Falcon

Having only two full length albums and an EP, all of their material was represented, but decidedly centered around songs from Gather Up the Chaps.  “Skeleton Dance” prefaced by a sarcastic “this will be great, wait till you get a load of this” and “War of Colossus” being high points for me.

Between songs, the band took playful jabs at one another and Cleveland itself. There were at least three instances of pointing out that Cleveland is indefensible to a touring band’s gravity toward Cleveland Steamer jokes.  They quipped that the crowd “Cleveland steamed the wrinkles out of [the song] ‘Sailor’s Grave’.”

Brendan Kelly reveled in pointing out how much Dave Hause hates ska and that he is now sentenced to playing the Falcon’s own ska anthem “The Unicorn Odyssey” on a nightly basis.

Dan Andriano stood helpless as Kelly mused on Dan’s Alkaline Trio bandmate Matt Skiba’s undead persona as well as a few taunts such as, “you BLINK and you’re out of a job!”

Dave Hause is a welcome addition and it’s great to see him playing punk rock again (The Loved Ones will soon be in the midst of a 10th anniversary tour for Keep Your Heart that I’m selfishly hoping will lead to the band being more active. I also don’t mean this to discount Dave Hause’s fantastic solo efforts)

The intended purpose of the Falcon is still front and center, a group of friends having a great time and not taking things too seriously. Still, the Falcon’s set still had its heartfelt moments.  On the day of this show, Merle Haggard passed away and Kelly, who has a prominent “Mama Tried” tattoo, was audibly choked up when he memorialized his hero with a story of Merle and Johnny Cash’s first meeting.

Sadly, due to the nature of this being a “side project” for everyone involved, it may be a while until we hear from the Falcon again.  This was their first proper tour since 2007.  Still, as the show ended with the band leading a conga line around the Grog Shop to Paul Simon’s “You Can Call Me Al” (yes, really) everyone in the club could only hope that this would be the first annual Gathering of the Chaps in Cleveland.

Special thanks to Toby Jeg of Red Scare Industries for inviting us to cover the show, and thanks to Brian for letting me stink up the joint on his behalf.

Setlist:
The Angry Cry of the Angry Pie
Sergio’s Here
Blackout
War of Colossus
Hasselhoff Cheeseburger
Huffing the Proverbial Line Off the Proverbial Dong or The Blood and the Frog
Sailor’s Grave
You Dumb Dildos
The Skeleton Dance
Little Triggers
Dead Rose
Unicorn Odyssey
If Dave Did It
The Fighter, The Rube, The Asshole
Black Teeth
The La-Z Boy 500

[Man, Utes, this was a damn fine review.  I think I just should give you my login info to the site and call it a life.  Thanks for covering a solid evening of tunes!  – Brian]

Album Review: Worship This! – Mint

Worship This! - MintAkron, Ohio’s Worship This! have really served up a killer sophomore release simply titled Mint once again on A-F Records.

This foursome punk rock band consists of some of the best humans I have ever had the privilege of calling friends, so chances are you might think this review is a little biased.

The truth is, even if I did not spend years hanging out on porches and in basements with these guys, I would still adore their music.  They are like a punk 90s DIY hybrid, but different.

Everything this band has dished out so far I have been a fan of.  I just lucked out with the friendship part.  Christ, listen to me.  I need to calm the hell down and just review this album already…

This is the second time I have had the privilege to review a Worship This! full length.  This review comes from the heart, but I’d be doing this even if these guys and I never crossed paths, because I seriously think everyone who likes punk rock needs to hear them.

Starting off the album strong was “Decisions, Decisions”.  The chorus on this track alone was insane.  I think I listened to this song about five times before moving on.  I just loved it.  It made me feel a bit old, but also made me realize how true experiences and decisions have shaped me to who I am today.

Worship This!“Miserable Again” was a quick, catchy intervention of sorts.  The start with everyone just letting loose ruled, especially with the nod to their hometown.  Listening to this track had me thinking of who they might have written this about and I guess that is the genius of it.  The dual singing on the chorus was so bad ass too.

“So Long…Sucker!” proved to me how much this bad has matured over the years.  This track started off with all members bringing their all into the music.  Very melodic to start and quick to transition.  I loved when the group vocals started up followed by simple yet fitting breakdowns.

The tough-to-absorb “19th Street” was a reminder of how life treats us all.  No one ever asks for some of the shit that is thrown at us, but we all get by one way or another.  This track hit me hard in a few ways knowing what I have been through in my life but also had me appreciate how I handled it.

“Everything Wrong” in my opinion is the best track on this album.  Adding a clip of Kenny Shopsin from the documentary I Like Killing Flies was perfect and so fitting.  The amount of angst in this song would have benefited me in my teen years.  This is one of those anthem tracks that you just immediately want to memorize.

“Loving A Wild Thing” was another song on this album I adored.  It was not like the others given the singing styles and I think that is what I liked about it the most.  It was just like a catchy conversation.  I liked everything about this tune.

Closing down the album was “Relapser”, a just brutal track of breaking down and finding new avenues.  There was enough emotion in this one song alone to last a lifetime.

I enjoyed Mint way more than I thought I would.  In fact, this follow up is way better than the debut Tomorrow, I’ll Miss You and I adored that album.  The band sounds more together and has taken that extra approach at defining their own sound but without worrying about taking chances.  Mint is a little harder, more emotional in terms of growing up, and most of all just fun to take in.

It comes as no surprise to me that Worship This! released one of my favorite albums of the year.  I have believed in this band since the first time I heard their demos and always anticipated good things for them.  Mint is definitely a good thing.

The band is headed on tour next week.  If you know what is good for you, you will try and check them out.

Worship This Tour

Album Review: The Falcon – Gather Up The Chaps

the-falcon-gather-up-the-chapsIt’s been 10 years since The Falcon dropped one of my favorite albums, Unicornography, so for me sitting down to write about this release is pretty compelling.

Anyone who fancies themselves a punk rocker has had to have heard of The Falcon unless they were living in a gutter.  They are the enigma of punk rock supergroups and just dropped  Gather Up The Chaps on Red Scare.  I am sure most people who are reading this already have listened to it 100 times and pre-ordered 7 copies of the record.

I’ll be honest, I didn’t think I was going to like this release at all.  Seriously, I just was not anticipating much of anything to get excited over, I mean it has been 10 years after all.  Maybe it’s also because I am old and snooty and thinking that by bringing on
Hause,  The Falcon’s dynamic might change.

hause
Dave and Me at the Gurley House in 2011 – Photo by Andee Wells

Boy was I wrong.  (Note:  I am a huge fan of Hause and even have a photo of me and him where I am smiling and he is not – I just needed to disclose that.)

The Chicago punk rock supergroup for those of you who have no idea what I am talking about features Brendan Kelly (The Lawrence Arms), Neil Hennessy, Dan Andriano (Alkaline Trio),  and the recently recruited Dave Hause (The Loved Ones).

“The Trash” started things off and immediately proved to me this album was going to be a good one.  Hearing three vocalists from three of my favorite bands all chime in at once was awesome.  Kelly’s rasp, Hause’s howl, and Andriano’s swooning mixed perfectly.

Hearing Andriano chuckle in “Sergio’s Here” made this satire of a track that much more entertaining to the point that I laughed each time I played the song.  Seriously though, this track was just a blast to listen to and you can tell the guys were just having fun throughout.  I loved the change up towards the end that just sent the song to bed.  This reminded me of older Falcon material so much.

I loved Kelly clearing his voice in the middle of “The Skeleton Dance”.  Maybe this was not scripted, but it sure did fit in.  This high-powered passion-seeking tune was super catchy but made me feel all so dirty and almost depressed by the end.

“Hasselhoff Cheeseburger” may sound like it would have been hilarious given the song title, but I think I need therapy after listening to this track.  I feel old AF right now.  Hearing Kelly strain off “I only became a man because this ugly body made me” pretty much had me reflecting past choices in life for a moment.

“If Dave Did It” was probably my favorite track on the album.  Obviously from the title, this song was almost all Hause making excuses and calling everyone out, but that did not stop the others from interjecting over him making it for one engrossing listen.

Andriano added his own touch with “You Dumb Dildos”, a song that spanned all over the place.  At times I felt I was listening to a Westernized AK3, but in the end, everyone just went berzerk and there I was standing wondering what the hell just happened.

Gather Up The Chaps is totally unbroken when it comes to mingling in the punk and the rock with loads of nonsense and hard knocks.  This album was quick and all over the place, but at no point was I ever bored listening to it.  I think it is safe to say this is one of the better albums I have heard this year.