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Album Review: Masked Intruder – M.I.

Masked Intruder - M.I.Pop punk’s hooligan heroes, Masked Intruder, are back on the prowl with their all new sophomore release M.I.  The ski-masked foursome clearly have no problem dodging the law while stealing hearts and throwing together one of the catchiest releases you will probably hear all year.

Having  kept their identities safe so far, probably due to the band threatening anyone with blunt force to those who may know who all is actually under those masks, Masked Intruder remain an enigma of sorts in the punk rock world playing some of the greatest stalker-love jams ever recorded.  Think Ramones and Chixdiggit!, but with plenty of obsession and missing valuables.

The album started out with a revamped recording of “I Fought The Law”, a track that originally appeared on Masked Intruder’s 2011 demo.  This version clearly trumped the original and sounds even catchier than the demo version.

“The Most Beautiful Girl” is flawless when talking about a pop punk love song.  In less than 2 minutes, the band manages to pack together harmonies within sing-alongable lyrics (is that even a word?) all while swooning someone special.

“Saturday Night Alone” pretty much sums up some of my weekend nights  sans spending it in the slammer like these masked heartthrobs do.  Hard-driven guitar playing (that easily could have been stolen from label mates Teenage Bottlerocket) played throughout making for a fun track.  I loved when the band just stopped playing and just sang and crooned for just a couple of seconds only to start jamming out again.

I loved the track “When I Get Out”, especially on how the band sang about what they were going to do when they were released from the slammer.  From getting revenge to slamming ice cream and pizza, it is clear that Masked Intruder had a lot of time to plan out their freedom while locked away and incorporate it all into a fun song.

I really was hoping the band would go all a cappella again on this release, and they did in “Almost Like We’re Already In Love”.  It’s like a barbershop quartet song, but different.  I’m sure if the band sang this song to me in person, I would be batting my lashes and blowing kisses their way.

“Hey Girl”, was a quick, catchy jam aimed at breaking the ice with the ladies.  “Don’t Run Away” followed perhaps on purpose to assure all the beautiful ladies by singing “don’t run away, I think this is it.”

“Say that I’m a freak, a geek, a weirdo” started off “Wierdo”, a track that may have been written by actual events that happened in my life.  Seriously, I think these guys plagiarized my lady luck in my early 20s and threw it into a song.  What the hell guys?

Another great track was “I Don’t Wanna Say Goodbye To You Tonight”.  It was a pop punk love track that may or may not require a restraining order.

Ending the album was “Locked Up And Lonely”, a song that did not really sound like the others as it was a little slow starting at the beginning, but only for a moment.  I could not but help think 90s punk rock on this song.  On another note, can someone please tell me why I thought of Charles Manson in this song (in a comical way of course).   Seriously, as this song played, I thought of an emo’d out Manson sitting in a cell looking out his cell window and writing about how lonely he is.

After listening to this album at least 37 times in a row, it is safe to say that Masked Intruder has once again dropped a solid release.  I was so addicted to their debut release so much that I failed to review it, but this time I decided I had to at least say a couple nice things about their latest effort.

M.I. has the potential to make Masked Intruder appear on many Most Wanted lists.   With their quest to avoid Miranda Rights as well as continue to hide their identity, this band has surpassed the gimmick stage and is going toward full-blown rockstar.

So who are Masked Intruder?  Who cares.  Just keep them away from my record collection and wallet.  Beyond that, I hope they keep doing their thing.  Those guys rule hard.

Masked Intruder is seemingly always on tour.  Personally, I think it is because they are running away from the law.  Regardless, they are playing Cleveland on June 20th at Now That’s Class.

Album Review: Signals Midwest – Light On The Lake

Signals Midwest - Light On the LakeI know I have said in the past that I usually  do not review any of my friend’s album releases, but I seriously think it’s time to change that.

Within the last year alone, a whole slew of my friends have been dropping excellent releases left and right.  Many of those said releases were immediately thrown into my regular rotation and also made it to my “Best Of 2013” list without me even thinking twice.

One of these bands I speak of is Cleveland’s heartthrobs (and beer snobs), Signals Midwest.  I learned of them through friends who had shared stages and basements with them and soon became not only a fan, but also a friend.  All four members are some of the coolest, kindest people I know.

They have a musical style that ranges from punk rock to indie rock while also carrying a progressive technical grace that is just so appealing.  Featuring Max Stern on guitar / vocals, Jeff “JR” Russell on guitar, Loren Shumaker on bass, and Steve Gibson on drums, the band has been doing their thing since late 2008.

The band’s sophomore release of Latitudes & Longitudes was easily one of my favorite releases in 2012.  It was no surprise that I turned into even an bigger fan once I heard Light On The Lake.  Yeah, it may have dropped a few months back, but after listening to it again today, I realized I needed to write a little something-something about it.

Released through the ever cool folk at Tiny EnginesLight On The Lake is an impressive release from start to finish.  It’s an album not only composed of great tunes but also layered with a very narrative story containing a journey of self-realization, injury, and coming to terms.  The more I read into the story throughout this album, the more I am loving it.

“308” started off the album with Stern and crew singing a somber yet catchy into.   With Stern singing, “give me time ’cause I’m trying to process this”, clearly emotions were beginning to rise.  I really dug how the opening track snuck its way into “In The Pauses”.  I enjoyed this track tremendously with continual up and down arrangements throughout.

“A Room Once Called Yours” picked things up, but the song continued down a gloomy route.  The guitar playing and brutal drumming really is what grabbed my attention throughout.  I loved when Stern sang: “So why do we decide to leave when what we really wanna do is stay? And when all we want to do is sleep, we force ourselves awake.”

“St. Vincent Charity” sat on me heavier than the others with technical guitar playing added to an array of group harmonies throughout.  What a killer track to listen to.  Listening to the song build up and climax was beyond satisfying.  The lyrics though is what made this song so poignant.  Easily this was one of my favorite tracks on the album.

Having been far away from home before leaving loved ones behind, “The Desert To Denver” really stuck to me.  I felt that I really related to the lyrics: “Save me from sinking in this city. Be the light that guides me home.”  After all, it was the love in my current relationship as well as from my friends and family that kept me stable until I was able to travel back east.

Signals Midwest - Photo by Andee Wells
Signals Midwest – Photo Credit: Andee Wells

I loved Loren’s distorted bass-smashing on “Lowercase”.  It really reached back to the 90s alt-rock that I have always adored.

“San Anselmo” opened reminding me of an Avett Brother’s song – no joke.  Remember the part in “Pretty Girl From Chili”right after Gabriella’s voicemail?Ok, I am sure I lost some of you just now.  Anyways…the song opened up pretty awesomely and just continued to amaze throughout.  I loved this west-coast-love-affair-with-a-rust-belt-local track so much.

Closing the album was “A Glowing Light, An Impending Dawn”, a track that was like a tribute and a procession.  The song put the album to rest as well as the story that was being told throughout.  It started softly and built up almost to a celebration status, only to thin out.

I’m pleased to have gotten to know these swell guys over the last few years and plan on keeping them pals for life.  From seeing them live on stage to hanging out with them for a night when I was out in the middle of nowhere, these dudes are top notch.

Cleveland is full of amazing bands and honestly, this is the best the music scene has been for as long as I can remember.   Take that how you want it, but if you are not caught up with the area talent, then maybe you need to turn your attention to some of these hard working acts in the area.  Start with Signals Midwest and branch out accordingly.  You will not be disappointed.

Signals Midwest are playing Brite Winter Fest this weekend before taking a well-deserved break.  You can follow their shenanigans on their Tumblr page or on good ol’ Facebook.

To snag your very own copy of Light On The Lake, head on over to the Tiny Engines website and give them all of your money.

 

Check It Out: Skeletonwitch’s New Music Video For “I Am of Death (Hell Has Arrived)”

Tis the season for a slasher…

Skeletonwitch

Athens, Ohio’s Skeletonwitch just dropped a new music video for “I Am of Death (Hell Has Arrived)” that is sure to cause nightmares.  Directed by Jon Nix of TurnStyle Films, this video clearly gives a generous nod to 70s horror movies.  Originally featured on Bloody-Disgusting, I figured I would post it as well seeing how I am a big fan of Skeletonwitch and also the good folk at TurnStyle Films.

Check it out: