Tag Archives: Release

Acoustic, Hardcore, Music, Post-Hardcore, Punk, Screamo, Ska

BHP BEST OF 2024

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This blog is not going anywhere at the moment. I am beyond grateful for anyone who stops by at any given time and has checked it out.

As a father of 2, my priorities are toward them and ensuring they have all the dad time in the world, so excuse the lack of content. I promise you I am listening to all the music all the time.

What that said, I never will not do a best of list as it helps me look back to all the amazing music that dropped throughout the year.

Enjoy.

BHP BEST OF 2024 LIST

State Faults – Children of the Moon

One of my most listened to albums of the year. This is an album that dragged me through emotion like none other and truly speaks for itself. It’s screamo, it’s post-hardcore, it’s perfect.

Maxwell Stern – In the Good Light

Max has outdone himself this time. This album is the greatest thing he has ever created, and I will fight those to disagree. He put something together special that will get stuck in the heads of so many for years to come. When I say I love watching someone mature as a musician, I am talking about Max Stern. I look forward to future releases, but it is going to be hard to top this one.

Glass Beams – Mahal

I was so into this sophomore album by Glass Beams upon listening to it that I stopped what I was doing to pre-order the album only later to find out I ordered an overseas copy and not the US version. When I try and tell people about this one, I just say things like disgusting and filthy and mean it in the best way. This band is phenomenal.

The Dopamines – 80/20

I was beyond stoked to hear after 7 years this Cincinnati punk band was dropping a new album. These guys have always been a great band, and this album is a blast to get into.

Hunden – A Calming Press

So much fuzz on this debut by Cleveland’s Hunden. Love to see pals from various bands connect and formulate insane tunes. They need to put this on wax already.

Hollow Suns – Free Fall

Caught these dudes in a basement earlier in the year and became an instant fan of their tunes. Their live performance pulled at all things 90s Sub-Pop roster related and on top of it they were just the nicest dudes. They hail from Tokyo, and apparently that night I saw them was the first time they ever played a house show.

IDLES – TANGK

This is the album that turned me into an IDLES fan. I did not really get into them before, but all is changed after becoming obsessed with this album.

Knocked Loose – You Won’t Go Before You’re Supposed To

I am getting up there in age, but I appreciate the hell out of this album. Insanity at its finest.

Beth Gibbons – Lives Outgrown

Forever a Portishead fan, there’s no wonder why I am obsessed with Gibbons’ solo release. This is a deep and personal journey set to her own town.

The Cure – Songs of a Lost World

I remember as a teen what this band meant to me. I was tossed feelings I tried to hide from then and was reminded how impactful this band is with this release. I am being serious when I say I teared up reminiscing about a young me Cure fan. The band has not lost their touch one bit.

Hey-Smith – Rest in Punk

The LP dropped in 2024 so I am saying this came out this year. This band is one of the best ska punk bands in the game. I adore them and listened to the absolute hell out of this release. I even got to see them open for the Suicide Machines and they put on one of the most energetic sets I have seen in ages.

Alkaline Trio – Blood, Hair, & Eyeballs

This band literally can do no wrong. Skiba and crew have written a start-to-finish classic.

Hot Water Music – VOWS

This band is easily one of my top 10 of all time and they have once again exceeded my expectations with this new album. Cresswell fits in ever so perfectly once again and the band seems stronger than ever. Happy to say I even got to see them live this year too.

Amyl and the Sniffers – Cartoon Darkness

Raw AF hits. I am not sure how else to describe this one. It is damn good.

SeeYouSpaceCowboy – Coup De Gr?á?ce

This one was wild. Jazzy, hardcore, and sewn together so perfectly. It is really a disaster of a masterpiece in the best way.

Omnigone – Feral

Wait… Some of the Link 80 dudes got back together and started a new band? Of course this is going to rip, but I did not expect it to slay.

Kill Lincoln – No Normal

This is one of the most fun ska punk bands out there. Every time I catch them live, I am just left with a sense of satisfaction. I was stoked to snag this album weeks before it dropped and love how they refuse to let off the accelerator.

Soft Play – Heavy Jelly

This album is just hard fun. Some of the lyrics had me busting up. The tunes are just insane too.

High Vis – Guided Tour

I will be forever kicking myself in the ass for missing these guys at a venue minutes from my house. I had no idea they were a supporting act. This album is just about as perfect as it can get.

Carpool – My Life In Subtitles

The emo album I needed this year to feel some feelings. It is so good.

Cursive – Devourer

I have been a Cursive fan most of the 2000s and will admit I was caught way off guard with this one. It is brilliant and ever so poignant. It really made my aging ass feel some emotion again.

Various Artists – Red Scare Industries: 20 Years Of Dreaming and Scheming

What a great collection of tunes to celebrate 20 years as a punk label. Toby has himself a label that has helped so many bands out there I love and adore. The Sidekicks cover on this album by that Laura Jane Grace person no one has ever heard about is one of the best renditions ever.

I am stopping here…for now. If you know me, I always find something else to talk about (and I did at least twice now). There are plenty more I can toss on here, but these were the ones I made note of and wanted to showcase.

Thanks, as always, for checking me out. I really would love to toss more content on here, but between raising the coolest kids, my big boy job, and building/slinging lamps with my homies at Whiskertin, my time sometimes is limited. I have no intention of disappearing and appreciate all the bands and the labels for continually fueling my head with the best tunes.

Happy New Year to everyone out there. Enjoy the day.

Cleveland, Hardcore, Music, New Release, Post-Hardcore, Punk, Review

Album Review: Brain Cave – Stuck In The Mud

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I got to see one of my all time favorite bands play Cleveland last year. Worried I would not have a good spot to see said band, I arrived early to claim my area.

I’m glad I showed up early that night because, little did I know, I was about to be introduced to my soon to be favorite local band.

The band I speak of is Brain Cave.  The three-piece noise-rock / post-hardcore locals blew me away that night and turned me into a fan.

Fast-forward 6+ months and I just so happen to see that the band is taking preorders for Stuck In The Mud, the band’s first full-length album released by Tiny God Inc. (the drummer’s label).  They had a couple of songs to check out and after hearing them both, I immediately preordered the release on cassette. I cannot even tell you the last time I did something like that.

So I guess I take this time now to talk about why I’m so enthusiastic about these guys.

“Erosion” started off the album with a self-preservation method many of us could use right about now with “reset” being repeated throughout along with other words of encouragement.

“Night Work” continued with aggression and force.  This tune accompanied with restless thoughts was full of breakdowns, riffs, and just insane drumming.  Technical as hell, as much as I hate to say this, it was almost Mastodon-y sans that wizard shit and whiney vocals.

“Assigned Seat” brought me back to the years when I would see hardcore and post hardcore shows what seemed like daily.  Loved this track a ton musically as well as the message presented about not giving up ever.

“Sideline To Rot” was equally technical as was it just untamed.  This was one of those tracks where I asked myself how the hell a three-piece pulled this out.

“Bar Seat No. 1” are on me a lot since this album dropped.  Maybe it was the hint of punk embedded within the post-hardcore track.  It was most likely because this song filled me up with rage in the best way.

Precise like a Cave In track, “Ahead Thought” sucked me in.  Just when I thought I liked it, things shifted down and I became even more consumed.  The ending of this track was dead-on amazing.

“Moved Obstacle” finished up the album with the bad just not letting up at all.  This was the kind of song introduced to a young me that held the capability to open up my thought process.  I am trying to think of best how to explain this.  Think about the message and hose it was received.  That is the feeling that hit me when this song played.

The sound that Brain Cave delivered brought me back to the 90s in the best way possible.  All I could keep thinking about while listening is how they related to Helmet, Handsome, and Quicksand.  The year is half gone and Stuck In The Mud will be sitting high on my best of list for this pretty screwed up year.

Perhaps once this COVID crap is tame and venues start allowing shows to play Brain Cave will play again.  I honestly would love to check this band out again, especially now.

With that said, if you need a solid distraction due to these current events, check out the Brain Cave debut already.  I cannot get enough of it.  In fact, I listened to it two times earlier today and once more this evening as I wrapped up this review.  It’s that damn good.

Hardcore, Metal, Music, New Release, Punk, Review

Album Review: Western Addiction – Frail Bray

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Perhaps the hardest sounding band on the Fat Wreck Chords roster -sorry Me First and the Gimme Gimmes-  Western Addiction is back with an all new album and it freaking shreds.  I think the best thing about this is that we only had to wait 3 years for them to pump out more tunes.

Featuring veteran punks, some of who were perviously Fat staff, Western Addiction are not your ordinary punk band.  It’s their sounds of punk, melodic hardcore, and even doses of metal that make this band so unique and just badass.

Hailing from San Francisco, this is the band’s third release and was produced by Jack Shirley who, if you know the name, has helped with more than a few amazing releases.

Starting off the album was “The Leopard and the Juniper”, a precise, methodical hard track that clearly wasn’t just thrown together overnight.  The lyrics are out of this world, or at least dimension, and carry well with the brutal guitar playing.

“They Burned Our Paintings’ was just insane.  Based off true events, this track recalled the demise of masterpieces without stepping away from the canvas.  I loved the lyrics: “You can burn our paintings. We’ll dream a thousand more. Each one more coercive than before”.  I just could sense the passion and willingness to fight for creation on this track.

There was something about “Lurchers” that had me thinking about Dave Mustaine often.  This track honestly could have passed for a Megadeth track and I do not mean that in a bad way at all.  Of course at the end of the track Jason Hall makes a grunt that solidified my notion.

“Rose’s Hammer I” and “Rose’s Hammer II” clearly were about the perils of motherhood.  I have to credit Hall and crew for taking a personal approach on their beliefs and putting it to music.  Once I learned that Hall’s wife is a doula, it made even more sense.  Both tracks are a clear tribute to bringing in life and she who is responsible for it.

“Wildflowers of Italy” was probably my favorite track on the album with a more of a 80s/90s metal feel.  Far from cheesy, this track just spoke to me for some reason.  I loved the shift of the track when the piano just busted in making for a great listen most likely because it reminded me of some classic TSOL.

“Deranged By Grief” closed the album down with an almost haunting start that just shifted into an all out assault.  Tracks like this are why I adore this band.

I’ve listened to Frail Bray a few times now, and my god, it just keeps getting better with each listen.  I’m sure I have said that about other albums in the past, but this really hold true.  They seemingly touch on so many decades of punk/metal/hardcore without intention and I think that’s what makes them so unique.

Music, Music Video, New Release, Punk, Review

Album Review: MakeWar – Get It Together

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I’ll never forget the first time I heard of Brooklyn residents MakeWar.  Toby from Red Scare told me to check them out about 3 years back, so naturally I did.  I was completed obsessed with what I heard instantly and moments later realized they were on the bill for the last Dag House show happening in just a couple hours.  I dropped everything I was doing that night and made it to the dark basement in Cleveland to see them play.

After their set, they announced they needed to hightail it out of there to drive to, if I am not mistaken, Nebraska.  I panicked and searched the house for one of the band members because I refused to leave without getting some form of merch from them.

I was able to find Jose Preito just before he finished his goodbyes and stupidly asked him if the merch was already packed up.  He stopped what he was doing and led me out to their tour van and with Edwin Santacruz’s help, dug out their 2015 self-titled amped up release and sold it to me.  He then gave me a big hug, thanked me, and jumped into the van they were about to call home for a few days.

It’s something I will not forget.  I knew then they would not be one of those bands that faded away and that bigger things were in store for them in due time.  It was no surprise to me when they announced they signed to Fat Wreck Chords.  It just made sense.

Get It Together is the band’s 3rd or 4th release pending how you take their self-titled releases into consideration.  In past times, the tracks were tough heart-tugging tracks best served with rounds of liquid courage.  This time around, the band really seemingly took a deep breath, said fuck it, and moved forward less reserved.

Kicking off the album was “Hopeless Dreamers”, a track that brought friendships close thanks to mindsetting lines like “the night is drunk and we are all young”.  This track carried me back to the days of heading to certain lounges that no longer have occupancy while surrounded by pals.

Kicking it up a notch was “No Excuses”, a track that really showed a different side to MakeWar I was not prepared for, but loved.  It was sped up and direct.   There was also the ending breakdown on the track.  Damn fine if you ask me.

“Squeeze” dipped back to the days of flannel shirts and Doc Martins in the best way possible.  Once again the band hit a different territory and nailed it.  Full of anxiety and anxiousness, the track was one of my favs on the album.

Then there was “No Más”.  As a middle-aged white boy, I have no clue what Edwin was screaming but it was awesome.  The same applied with “Inmunda Realized”, but in all honesty, that song kicked major ass,

The highly addictive “Sails” was one of the first singles I heard off the album and it was beautifully down.  This was one of those tracks where I couldn’t help but to think to myself how much these boys have matured as musicians.

“Oh, Brother” was another single I heard previous to the release and carried that MakeWar style I grew accustomed to years back.  The song hit me hard as someone who still struggles with growing up.  There was so much good intentions on this track that also reminded me that getting old isn’t the end of the world and even us old punks can still have fun.

Overall Get It Together was an impressive release. In fact, the second listen is when I really found myself getting lost in the music and lyrics.  I am not saying they redefined punk rock, but they certainly made their own footprint.

MakeWar comes from all over the place literally and this album really showcased that.  Jose was originally from Venezuela, Edwin came from Colombia, and Greg came from that state where that naked dude ate the face off of someone once aka Florida but left the band after album was recorded so Matty from The Moms took over.

All jokes aside, these guys are just getting to their prime as a band and it’s the perfect time to get into them.  Don’t say I didn’t warn you about MakeWar.

Alt Rock, Music, Music Video, New Release, Punk, Review, Rock

Album Review: Heart Attack Man – Fake Blood

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There’s just something to be said about hearing an album that brings back great amounts of angst from 20+ years ago.

Sure, we really don’t care to remember when some of the jocks in high school threatened to kick your ass because you were different.  We sure as hell don’t want to think about how pissed off it made you and how you held your ground and prepared to fight back only for them to say they were just kidding.  That never happens to anyone right?

Fake Blood by Cleveland’s very own Heart Attack Man had no problem digging into my hippocampus and ripping out crippling episodes in life offering for a retrospect on how they shaped me.  That right there is exactly what Fake Blood encompassed from start to finish for this listener.

This sophomore album has been on my radar for months now ever since singer / guitarist Eric Egan and drummer extraordinaire Adam Paducah made mention of finishing up recording.  Add to the fact that one of the friendliest guys I know, Ty Sickels, is part of this incredible band and one might just called me jaded when it comes to talking about this act.  Pals or not, this bad rips and I know I am not the only who thinks that.

With riffs that reach all the way back to the 90s “Fake Blood” started off things off with a fierce, intense track that was catchy as hell.  You know you are in for something excellent when the first track immediately gets stuck in your head.

Not trying to sound cliché, but “Blood Blister” brought me back to some awkward teen years of mine when music was my crutch and most folk were my enemy.  Egan’s directness complimented my own thoughts when things just didn’t go my way and you bet your ass I never let it go.

“Out For Blood” is a vindictive jam that will instantly take over your good day and put you in a savage mood.  The kids are going to love this one, i know it.

“Moths in a Lampshade” strayed away from the others in a good way.    This was that kind of track you listen to at 3am when driving in the middle of nowhere trying to just grab ahold of yourself.

Hands down the best track was “Cut My Losses.”  It wasn’t a love song and it sure as hell wasn’t a song about moving on peacefully.  This track’s raw emotion succeeded most of the ill-will I have ever had for someone that’s ever threatened me.  Egan is a total bad ass on this track and when they are ready to do a music video for it, it best be him walking away from an explosion without looking back.

“Sugar Coated” wasn’t nice at all and that’s perfectly fine by me.  This track pretty much could have fueled my worst years as a teen all while begging to be sung along with.

Fake Blood easily is going to be one of my favorite releases in 2019.  This Cleveland band is beyond talented and I really see big things happening to them especially if they continue to just kick ass and forget names.  They have been doing things their way and honestly, I think it’ll work out just fine.

Do not sit on this band.  That’s my advice to you.  You’ve been warned.