Tag Archives: Punk

Trever Keith vs. Me – An interview with Face To Face front man Trever Keith

Any fan of punk rock music has probably heard of a certain SoCal punk rock band called Face To Face. Formed by Trever Keith in 1991 the band gained commercial success with their ideal punk rock style and soon achieved commercial success. Trever Keith was the only original member to stick through the good times and bad times and sadly the band decided to call it quits in 2003

With the decision to go their separate ways Trever Keith did not stop there. He continued on with his passion for music and started recording solo material as well as maintained his own record label. On top of that he worked on other band projects including Legion Of Doom, a mash-up project of out of this world proportions. He is without a doubt one of the busiest punk rockers out there and it not willing to call it quits anytime soon.

Recently I learned that Face To Face had reunited for a small tour and possibly more. I decided to get in touch with Trever Keith to ask him some questions of his past, present, and future. Trever Keith was more than happy to take time out of his busy day and answer some questions for me.

Trever Keith
Trever Keith

B:  So I guess my first question would have to be what finally prompted Face To Face (F2F) to reunite for a few tours? I remember reading an interview a while back that you did not think it was going to happen.

TK:  Scott [Shiflett] and I missed it and the offers started getting a lot more interesting.

Any specific offers in general?

Bamboozle 08 in Los Angeles was the clincher.

Who is all playing alongside you when you tour?

Scott of course. Sometimes Chad Yaro (depending on his availability, LA area shows are the most likely) and Danny Thompson on drums.

Any chance of expanding the tour? I see that F2F is playing some shows in California in November as well as a few select dates overseas in 2009.

As long as there is an interest from fans, we will be back out playing shows. We’re not looking at being back out on the road full time for F2F, but we are definitely planning some more stuff for 2009. We’ll just see how it goes.

Does this reunion tour mean there is a possibility that F2F might be back to record new material?

I suppose there is a remote chance. Although there are no plans.

Any real reason why F2F ultimately called it quits?

A desire to try some other projects and a sense that we had really run our course as a band. We didn’t want to overstay our welcome. But the fans have proved that the reality of that is completely the opposite. So we’re back as long as there is a demand.

Trever Keith
Trever Keith

Enough about F2F, let’s talk about you and your continuing vision with music. Even after the band departed you continued forward. You released a solo album on your own record label. Can you tell me a little bit about both?

I have a label called Antagonist. I had an indie distribution deal that was a complete disaster. I’m out of it now. My plans for Antagonist are sort of changing with the landscape, but I at least know it’s a place for me to release my own music in the future.

My debut solo record was in limited release but is currently not available. I had initially had it available for download for $5.00 on my website and I pressed up about 1,000 limited edition CDs for sale only at shows.

These were things I wanted to do for the core fans. I am looking at an “official” release for early/mid 2009.

Will your “official” solo release be under your label or has anyone else shown interest is having it on their label?

There is interest, but it will be an Antagonist release regardless of whether I’m involved with another label or not.

You toured in support of your solo release. How were the shows you played at? Were there a lot of old school punkers there checking you out? Were a lot of people asking about the band you used to front?

Most of the shows were amazing. They were small sized clubs. Some were better attended than others but most of the time that really didn’t matter. The people that came were so cool. I made a point of hanging out a bit after every show and it was really something special. Many of these people are F2F fans but also really appreciated the work I am doing on my own and that was really the point of this small club tour; to really just get out there for the die hard fans and get the music to them first. Now my challenge is spreading it to a bigger audience.

Any plans for a second solo release?

Sure but give me a chance to promote this one properly first!

Face To Face
Face To Face

What is Viva Death all about?

It was a project that Scott and I thought up about 5 years ago. The first record was really a joint effort but on the second record it started to become more of Scott’s thing. He is just now finishing up the third Viva Death record which from what I’ve heard so far is amazing. He played all of the instruments on this one, even drums. It’s really a testament to what an amazing musician Scott is. You can check out his MySpace for more info. www.myspace.com/vivadeathmusic

I have read about a possible other project in the works as well called Pablum? Not much is known about them. Anything you might like to share?

Pablum is just an early name for my solo effort. I decided to go with my own name for simplicity.

How did you become involved with mashing up songs in Legion Of Doom?

Chad Blinman is a longtime friend. I sort of convinced him to start this mash-up thing while him and I had some downtime. We really started digging in and get hooked into the project. We decided to give ourselves a name and some soundtrack and remix work followed. It’s a project that is an amazing creative outlet for us that is unlike anything else we’re involved in. It’s something I look forward to doing for a long time. There are many ideas in the works for Legion of Doom.

Where did the idea come from to do such a thing, mash up emo/punk songs and even add a little hip-hop action? I admit the first time I heard it I was hooked?

Well I’d be lying if I said it was all my idea. I was doing some work with Darren Doane at the time and we always had this knack for discussing all sorts of crazy ideas for projects and stuff. He had this idea to do DJ style mash-ups of emo/hardcore bands. Since he’s in film and music videos he didn’t really have the know how to pull off such an idea so I ran with it.

The CD Incorporated is out of print and pretty much impossible to find. Do you think you would ever consider re-releasing it?

Face To Face is back...but for how long???
Face To Face might just be touring at a city near you.

We don’t have the permission from labels or publishers to release the CD, so probably not. Come to think of it, who made those first CDs anyway?

So you had nothing to do with the CD being released or do you have no comment? Haha.

No comment.

What is your favorite mash-up so far that you have helped create? I personally love the Coheed vs. Senses Fail mash-up called “Devil In A Blue Dress”. It seems like the two songs were meant to be mashed.

Destroy All Vampires [My Chemical Romance vs. A Static Lullaby mash-up]

Just curious on how Cleveland artist Derek Hess was recruited to draw up the cover for the CD?

That was another Darren Doane connection. I met Derek through Darren.

A couple of the Legion Of Doom songs were featured in movies such as Saw II and Resident Evil: Extinction. Any plans on having more mixes pop up in future movies?

I’d love to. Nothing confirmed at the moment. The last thing we did for a film is a placement in the movie Pathology which just came out on DVD.

Eyes Front is a movie released on Antagonist Films. Any relation to your own Antagonist Records Label? What all did you contribute to the film? Is this just the beginning of you working a little more in depth with a movie?

Antagonist Films is the same company as Antagonist Records. The Legion of Doom did all of the original music for the film and I was a producer on the film. I would love to do more work in film, but I’m not currently involved in any projects at the moment.

How did you land the role of producing the movie (Eyes Front)? Have you had previous experience producing film?

Again Darren Doane was the one who got me involved with the film. I have had no previous experience.

Speaking of movies it seems like you take samples from older movies and add them to the mix, how do you come across some of those?

There are websites with such material. Just gotta know where to look.

Have you seen any of the fan made videos of Legion Of Doom mash-ups on YouTube? What do you think about your fans creating them?

One of the most satisfying things about creating something is knowing that people really get it. Seeing those music videos to me is proof that people out there are really getting what we’re doing and they’re taking it up a level by adding their own creativity. It’s a humbling experience.

What is next for Legion Of Doom? Would you/have you considered touring? Will there be another CD released?

We’re getting ready to release an entire album of new original material.

When you look at all that you have accomplished musically, how does that make you feel? Any advise to share with anyone looking to be successful in a musical career whether it be creating or remixing?

I have mixed emotions. On the one hand, I feel lucky to have had some success and I am proud of the body of work I have created. And on the other hand I want to achieve more both as an artist and performer. The only advice I could give is you have to be relentless.

What’s next for Trever Keith?

World domination.

The Legion Of Doom
The Legion Of Doom

Look for Trever Keith’s official release of his solo album in early/mid 2009. For more information about what cities Face To Face is touring or to check out all the projects Trever Keith is currently involved in check out the following links:

www.facetofacemusic.com www.treverkeith.com www.the-legion-of-doom.com

The Faint – Fasciinatiion – CD Review

The Faint bring yet another installment of their new wave/dance/indie tunes to your ears with Fasciinatiion.  Once a solid staple to Saddle Creek Records, the band parted ways in spring of 2008 stating they would be releasing material on their own label blank.wav.  This is their first album in four years and is also the first to be entirely fashioned by The Faint.  Fasciinatiion proves that this five-some has no problem doing things all by themselves.

Formed in Omaha, Nebraska around 1995 the band lured me in thanks to the release of 1999’s Blank Wave-Arcade.  Their unique sound that had similarities to 80’s dance but with indie rock and even a little punk rock flair; something I had not found myself getting into before.  Soon thereafter, I was listening to them on almost a daily basis.   They were one of the original bands that introduced me to Saddle Creek records and helped get the indie label some well deserved recognition.

The Faint
The Faint

I was excited to check out their latest release seeing how I really have not listened to The Faint in quite some time.  Fasciinatiion started out strong with “Get Seduced” refreshing me on their dance rock style.  Their electronic rock music was not missed by my ears.  It would appear even after four years the band still has it.

“The Geeks Were Right”, the band’s first single off the album, was my favorite track.  The more indie pressed song reminded me of She Wants Revenge and Interpol, but heavy on the electronic side.  The music video for the song is extremely interesting too almost visualizing what a Max Headroom acid flashback might look like.  Even better there are remixes of this track floating around on the internet; my favorite was “The Geeks Were Right (Does It Offend You? Yeah Remix).

The album seemed to stray away from the Faint’s unique sound I had grown accustomed to with more experimental tracks like “Machine In The Ghost” and “Fulcrum And Lever”.  The vocals were a tad too robotic for me and the sounds were too experimental and unhurried.

The funky “Psycho” saved the album for me as it took direction back away from the slow, unusual songs previously mentioned.  Deep blimps and bleeps at the beginning of the song  kind of exceeded it’s welcome, but soon it mellowed out building for an good listen.  “I Treat You Wrong”, with poor lyrics, really was a good track but was nothing to dance about.

I really feel that The Faint created a roller coaster effect on Fasciinatiion.  The album does not seem nearly as constant and up-tempo as prior releases nor was there any of that punk rock flair that could be heard on Wet From Birth.  It is one of their more unique albums, but certainly not their best effort.  I am not saying this album is bad, but it does not compare to their more recent efforts.


 

Face To Face Reunion?

I was just killing some time tonight when I came upon a post on Punknews.Org stating that Face To Face has started a reunion tour.  Excuse me???  Apparently I have been out of the loop because I thought the band called it quits for good in 2002.  I really hadn’t heard anything from them since.

Face To Face is a So.Cal punk rock band that was one of my favorites in the late nineties.  Their one song that got major attention was “Disconnected”…

I am not sure yet if the band is going to only tour a couple of cities at this time in the US and overseas or if they will take it one step further and create and album together.  I would love to see a new Face To Face album as they are one of those punk bands I wish never broke up.

I have been aware that front man Trevor Keith has been doing his own thing since the band split.  In fact he has been doing a few things…a few things I was not entirely aware of.

First there is his solo material he has been working on and his label Antagonist Records.  I had no idea Trevor Keith has been working on creating music on his own.  Earlier this year he released his solo album Melancholics Anonymous.  The album is available on his website via download for 5 bucks or you can send him some of your cold hard cash and he’ll send you a CD if he has any left.  I am going to be dishing out 5 bucks myself so I can check it out.  He has the album streaming on his site and from what I hear I like so far.

Then there is Legion Of Doom, a mash-up project like no other featuring Trevor Keith and producer Chad Blinman.  The duo remixes emo, punk, and hip hop songs as well as creates original material, some of which have been featured in films.  I have been a fan of this project for a couple of year now when I accidentally came across a remix of Senses Fail and Coheed & Cambira….

I love the sound of the two bands clashing together, it’s perfect (but you have to like the bands to appreciate it too of course).  I also got a kick out of Claudo’s shorter hair on the video….  This song and others were released on Legion Of Doom’s debut CD called Incorporated.  The CD is well out of print but you can find it out there in the digital world, I know I did.

Horrorpops – Kiss Kiss, Kill Kill – CD Review

Horrorpops
Horrorpops

One of the more unique acts out there in the music world, The Horrorpops, released their third studio album Kiss Kiss Kill Kill earlier this year.  The Danish act with original members (who are also married to one another) Patricia Day on stand up bass and Kim Nekroman on lead guitar have been rocking out since 1996, thanks to their unique mixture of rockabilly, surf, psychobilly, and punk rock music.  They were a huge success overseas but it was not until around 2003 that the band got their US break thanks to Tim Armstrong’s (Rancid) label Hellcat Records.

Recently finishing up their mini-set tour on the 2008 Van’s Warped Tour, the band just announced their headlining fall tour in support of Kiss Kiss Kill Kill.  With bombshell Patricia Day’s giant stand-up bass and smoky singing, layered with Kim Neckroman assaulting his guitar, and Niedermeier’s drumming, the band should have no problem entertaining the masses.

The CD seemed to have a rebel theme with the song titles and lyrics, with many in reference to many female films. The CD cover mimics a poster for a B-Movie.  The sound on their third release seems to keep the same as previous without going over any boundaries to make a significant change.

Opening track “Thelma & Louise” of course makes suggestion of driving just like Susan Sarandon and Gina Davis did in their girls gone wild of a film.  Patricia Day sings strongly in this track and the music backing her up is very catchy.   “Heading For The Disco?” already is played a lot over the airwaves, especially on Sirius Radio’s Faction.  The song is a bit poppy but still delivers the pop-rockabilly feel with bass plucking and drumming making you want to boogie down.

“Kiss Kiss Kill Kill” really sounded like the Cure at the beginning, that is until the harmonies began.  The song holds Patricia Day’s cries “Kiss kiss kiss me dantly, kill kill me quietly…” with a “whoa oh oh oh” in the wake.  The song is a little gloomy, but I really dig the guitar playing.  It is a simple riff but is the type that sticks out.

Starting with what sounded like a repeat of a bass line from another Horrorpops release was “Everything’s Everything”.  The track about not wanted to let go of a complicated relationship was a reminder that this band is not about sunshine and rainbows.  Nekroman strums away during “Private Hall Of Shame” with almost a southern rock feel to his playing.

By no means is this a traditional rockabilly/psychobilly band.  They stray away from the rest and incorporate their own style to make for a more unique feel.  On their third release, I say the Horrorpops still have it and I really enjoyed what I heard.  If you want real rockabilly this band may bestow you mixed feelings but if you are looking for something fun to listen to and have a good time, then this is the perfect release for you.

Bad Religion @ Cleveland Agora – 1996

Wow did I ever find a gem today on YouTube.

Bad Religion
Bad Religion

For almost 20 minutes this evening I flashed back to one of my favorite concerts ever 12 years ago.  I remember the line up vividly.  It was The Gray Race Tour featuring Bad Religion with special guests Unwritten Law and Dance Hall Crashers at the infamous Cleveland Agora.

I was fresh out of high school, reckless, and an avid punk rocker.  I went to the show with a big group of friends….we took our friend’s mom’s van that had the worst suspension ever.  In fact we had to turn around on route 422 and swap the van out with another friend’s mom’s van.

One thing I recall about that show was there there were cameras all over the place, professional cameras.  The cameras were on the balconies of the Agora as well as on the shoulders of cameramen.  My friends and I got excited because we were going to be filmed during the performance.  We hoped it would be released on VHS (that’s right kids, DVDs did not exist back then).

I owe that tour for introducing SoCal Surf/Skate punk rockers Unwritten Law to me.  I am still a fan of them today.  During their performance I noticed the cameras were not rolling so we all agreed that the camera were there only for Bad Religion.

When Bad Religion took stage we all went insane.  I remember moshing and dancing and just acting like a complete fool.  At times I was just falling on people and letting them push me around as I sang at the top of my lungs.  I was being a carefree 19 year old and was loving every moment of it.  For the record, I was sober too…I got carded when I tried to buy beers….haha.

As the years passed I slowly forgot about that show.  Since none of us could ever hunt down that footage of the show we all figured it was lost.  A few weeks ago one of my buddies who went to that show with me called me telling me he saw some footage of the show on YouTube.  I was in disbelief yet thrilled that it surfaced.  Well thanks to my busy like I completely forgot about that phone conversation until today when I logged onto YouTube and looked it up.

Sure enough, it’s Bad Religion at the Cleveland Agora 1996.  It was a sold out show.  My friends and I were front row slightly to the right of center stage.  I laughed when I saw the pit because I know I was a part of it.  I remember it so clearly and now you can see what I experienced…

Part I:

Part II:

Other footage: