Tag Archives: Punk

Foxy Shazam – Out Today

I woke up this morning unlike any other morning I have had in quite some time.  Today was the day that Foxy Shazam‘s self-titled album finally dropped.  The moment I woke up my iPhone was in my hands and I purchased the deluxe album version off of iTunes.

Words that I will use to describe this new album: Punk, Fierce, Soulful, Wreckless, Unforgettable

These guys have the potential to go in a history of sorts where the rock bands of the 70’s rest with high honors.  Cincinnati’s Foxy Shazam could very well go down in a shameful self-destructing crash of defeat and still be one of the best acts of their time – yea, I know bold statement from me.  They just have that quality of awesomeness I have not seen or heard in years.  Think Iggy Pop/Freddie Mercury energy mixed with arena rock qualities and soul like no other.  Foxy Shazam will be heard.

Can’t say that everyone is going to dig this album but if you want something different – you know what to do.

Here’s an older video…

Henry Rollins – The Kent Stage – Kent, OH – 04/01/2010

Tonight was one of those nights I have been looking forward for quite some time now and now I find it coming to an end but have vivid memories of it still fresh in my mind.

A few months back Matt asked me if I wanted to join him and Mr. D.X. Ferris to see Henry Rollins perform a spoken word at The Kent Stage in, you guessed it, Kent, OH.  My response was of course a “HELL YES” and as time flew by I found myself meeting up with the vinyl addict and Ferris at the lovely Taco Tantos for a bite to eat before the show on the first warm evening of the year.

Before I start talking about the show I need to touch base with Taco Tantos.  The place is amazing if you fancy a burrito, taco, or any other traditional Mexican finger food.  Having been there a handful of times I have never had a bad thing to say about it, that is, until I wat there with Matt.

I don’t know if it is luck or fate but is seems like things go bad when Matt and I hang out.  I could bring up stories from the past but I would rather focus on the present.  I ordered my food followed by Matt and then Ferris.  I told the eye catching order taker that I wanted to eat on the patio and I thought all was fine.  Well 45 minutes later Matt and I are still waiting for our food, Ferris has a plate of tacos, and I am getting pissed.

I ask a kid if my order is ready multiple times and he just seemed to be getting annoyed with me.  Being calm and not trying to lose it I notice 2 plates of food next to the cash register that have been sitting there for a while and manage to get the freshman stoner’s attention once more and point out that those two plates look like the food we ordered.  The kid looked at me like I was crazy and said that since they were for the patio I had to ring a doorbell to let them know I was out there.

A doorbell?  Are you serious?  I was not told about said magical doorbell let alone how to get into the patio area nor did Matt.  We both waited by the pick up area in hopes they would call out our name and hand us our delicious, and damn were they delicious, burritos.  Instead we were ignored until I was about to erupt in obscenities.

Is there a moral to this little rant?  Yes, don’t order food to be eaten in the patio unless you are fully aware of the doorbell.

Now that I got that off my chest i might as well go into the point of this blog entry – Mr. Henry Rollins.

I was introduced to Rollins when I was a teenage music lover and have grown up with him since.  From Black Flag to Rollins Band I have always appreciated him as a musician but it was not until I started getting in to his books of poetry as well as listening to his spoken words did I realize how intelligent and inspiring this guy was.  I started to identify with him and used his smart words of encouragement and reality and put them in front of me daily.

The guy seriously saved my life.  Rollins had a huge impact of me growing up and as much as some people may not want to believe this, he helped shape me into who I have become as a person.  There was something about the way his words came out that attacked me and woke me up.  I learned that I was not the only one like me out there who took hell from the naive and dumbfounded.  I learned to chose my words wisely and be happy with who I am.  He was a punk rock psychologist for me through words and music, he was an idol and still is to this day.

When Rollins took the stage today I knew I was going to be in for something good.  I started thinking about all the times I saw him live when he was in the Rollins band as well as the only other time I saw him perform a spoken word in Kent.  Before he even spoke I was immediately in a good mood because I knew for the next three hours or so this guy was going to talk and I was going to listen to every single word he had to say to me.

Rollins, who is 49 years old, still looks tough as hell.  He came onto the stage in a black tee and black pants.  He looked a little thinner since I last saw him and over all had the same full forced charisma I have grown fond of.  The punk rock musician / actor / writer took the mic, put it up to his mouth, and began to speak.

For three hours Rollins took everyone in the Kent Stage on a tour of words with out taking one break.  He spoke about current events, the government, growing up, traveling, and just being himself.  The great thing about his storytelling abilities is that he would take a story, sidetrack for a moment, and then jump back to the original story with out causing confusion at all only to flow into a new story about something not related to the previous.  All stories were true stories from the internet loving punk rock hero.

Rollins had such a love for the Constitution and proved his intelligence on that stage tonight.  Admitting that he reads the document daily he shared his excitement for it and history for that matter to everyone.  I admit I was getting excited as well as he talked about the freedom of speech and why he loves America so much.  He dished our articles from that document like a professor would in a college history class with ease, it was impressive.

Adding his humor into some of the stories it was still clear that he had a point with his stories.  He would talk about the lesbian high school student who was denied the prom in Mississippi and then formulate a better generalization for a better outcome.  From there he went into organized religion and their intolerance for same sex relations only to find it as an escape and opportunity for those who were shunned from their beliefs for being who they are.

Once he was done with one subject he would move to the next and just keep the flow going.  I am not sure if everyone in the house agreed with him 100% on everything he had to say but I know I did.  Once again I found myself sitting there relating with this punk rocker who I wanted to grow up and be when I was a kid.  I sat there with a stern smile on my face and found myself laughing at some of his jokes more than others.  I was not trying to be a super fan, like the girl next to me was, I was just enjoying his company.

For a few moments Rollins touched on the most recent election, where he was, and what he did.  I was jealous to find out that him and Ian MacKaye went to see Bad Brains at an afternoon show before the polls had closed.  The stories he told during that segment were humorous but also personal.  He talked about how MacKaye and him first discovered Bad Brains while seeing The Damned at a D.C. show and how they all became friends (he also bragged to the crowd he was at the first Minor Threat concert and saw Led Zeppelin).  Rollins shifted back to the show him and MacKaye went to and talked about the lead singer of Bad Brains who pretty much has lost his mind in the mid-eighties.

It was funny to hear what Rollins saw that during that show but also kind of sad.  Rollins admitted that he and MacKaye were floored when they were young and saw Bad Brains for the first time.  He admitted that HR’s actions were not welcomed by some of the crowd at the election day show and they seemed discouraged and not wowed like he and MacKaye were.

From helping Rupaul as a judge to acting on Sons Of Anarchy he just kept dishing out great stories about his life.  I found myself most interested in when he talked about the time he was invited to a college to give a commencement speech at Sonoma College.  Where he did not recite the speech word for word (you can read the speech in it’s entirety here), he did unload a good chunk of it and my God it was…inspiring and just wholesome.

I could see the honestly in Rollins’ eyes throughout the night as continued to speak to everyone.  Rollins was a great storyteller throughout and not once did he reach for a sip of water or lose his place.  Seriously, three hours of non-stop talking, and not the kind where you want to excuse yourself from the room.  This was energetic, fun to listen to material.  He was full of information that he just wanted to release though the entire crowd and that he did.  Before I, and everyone else, knew it he was closing the night telling everyone he was going to return everyone’s asses to them and exited the stage.

I left The Kent Stage satisfied and full of knowledge and I know I was not the only one.  Perhaps some people attended tonight because they know the name Henry Rollins and heard his spoken words are entertaining but I went there knowing about him.  I wanted some inspiration from a tough SOB that pretty much was there for me when I thought no one else was.  He may not know it and may never will but as he left the stage I clapped my hands heavily and gave a thank you to him for all that he has done for me over the last 15 years.

The Gaslight Anthem Stream New Song

NJ’s very own Gaslight Anthem is currently streaming the title track off their upcoming album entitled American Slang.

Click here to hear “American Slang”

The band will be releasing their 3rd full length release June 15th on Side One Dummy Records.  Expect a tour to follow in support of this highly anticipated release.

Track Listing:

1. American Slang
2. Stay Lucky
3. Bring It On
4. The Diamond Church Street Choir
5. The Queen of Lower Chelsea
6. Orphans
7. Boxer
8. Old Haunts
9. The Spirit Of Jazz
10. We Did It When We Were Young

Check out the Gaslight Anthem on MySpace or Facebook.

The Weakerthans – Live At The Burton Cummings Theatre – DVD/CD Review

Many fans of indie rock know who The Weakerthans are and what exactly they do.  For years now the Canadian four (and sometimes up to six) some have been creating amazing albums that are heavy on the indie but also incorporate folk and twang into their material.  They are a band that I label as an “accident band”.  What I mean by that is I became a fan of them by accident.

Back in the days of slinging coffees at the café at the Borders Books & Music I worked at I came across a Weakerthans’ album at a listening station one day while on break.  This was at a time and age when the internet was still ruled by AOL and MySpace was just an idea waiting to be hatched out.  I remember clearly putting the headphones on at the listening station and checking out a couple tracks from Left and Leaving.  Liking what I heard, I recall reading a bio about the band while listening to more tracks and taking a double look at the card when it mentioned one time Propagandhi member John Samson.  Seriously, my mouth dropped open.

I was maybe 23 at the time and was slowly opening my musical tastes more.  Being a punk rocker at heart I was in awe that the bassist of one of my favorite punk rock bands was fronting such a melodic and low-key band.  I heard enough, grabbed the CD, and took it to the register for purchase.  Needless to say my musical appreciation was given a boost thanks to the Weakerthans and to this day I am still an avid fan though I have yet to see them live.

Having missed them the couple times they did roll though Cleveland one could say I was excited to see that they had released  a live DVD/CD titled Live At The Burton Cummings Theatre on Epitaph Records/ANTI- Records.  Performed in their hometown of Winnipeg, Canada in April of 2009, the band recorded the performance at the Burton Cumming’s Theatre (yes, the sweet mustached Burton Cummings of The Guess Who).   Just to clarify I believe the theatre was named after the classic rock musician and that he has nothing to do with it.

The DVD/CD captures the perfect evening of a show with the talented indie rockers as well as their dedicated fans who filled the venue up the night it was recorded.  With no fancy light shows or theatrics the band hit the stage and played a very fun and great sounding show.   Their sound, I should add, almost sounds studio and one could be fooled until the fans started hooting and hollering after every song.

Playing songs old and new the band just sounded amazing and looked ever so comfortable on the stage.  Hearing them open with “Everything Must Go” really reminded me why I have been a fan for so long but seeing how happy they were performing the song brought a whole new appreciation from me for them.  With the crowd cheering and the band just having fun it was apparent that this show was going to be a good one.  Speeding things up they broke into “Tournament Of Hearts” immediately after.  With five members on stage it appeared as if Samson’s wife Christine Fellows was hiding in the shadows offering vocals as well.

The band’s (and the crowd’s) friend Julie played on some songs as well including “Night Windows” where she offered some violin. Keeping the show rolling the band broke into “Reconstruction Site” a twangy delight of a song to listen to as well.  The band completely rocked out during “Aside” all while Samson smiled big while singing.  “Bigfoot” was another track I really got a kick out of with all the instrument playing.

Hearing perhaps my favorite Weakerthans song of all time, “Plea From A Cat Named Virtue”, put the biggest smile on my face even if I was watching a recording of the show.  The song revolving around a wise feline carried on perfectly, even the trumpet playing at the close of the song.  Samson also offered a simple impromptu guitar solo that was cut short on the CD but the DVD shows the humorous moment.

During “Wellington’s Wednesdays” Samson pulled up a fan on stage named Ernesto who had the pleasure of filling in a guitar solo in the key of E.  I must say after a nervous start Ernesto started jamming hard with the rest of the band as Samson took the honorary member’s place in the crowd for a short moment.  The band then followed up “The Reasons” as well as “Sun In An Empty Room”.  I swear if it were not for the fans cheering at times my mind tried to argue with me that I was not listening to a live album.

Overall the show was a fun time full of a great set by an outstanding band.  The DVD featured shots of the band throughout the 75 plus minute performance with good angles as well as occasionally would focus in on a true fan singing along.  Capturing The Weakerthans in their hometown was one hell of an idea and even if I have not seen them live in the flesh, I am glad I had the opportunity to have this performance in my possession.

The DVD/CD ranks high with my all time favorite live albums and I have listened to it multiple times now and I am not just saying that.  Great music by a bunch guys made even more entertaining by the simple fact that they were having a blast while doing their job.  If you are a fan of indie rock or just want to spend the evening with some great music do yourself a favor and grab a copy of Live At The Burton Cummings Theatre.

Track Listing (DVD/CD):
01. Everything Must Go
02. Tournament of Hearts
03. Our Retired Explorer (Dines with Michel Foucault in Paris in 1969)
04. Night Windows
05. Reconstruction Site
06. Aside
07. Civil Twilight
08. Bigfoot
09. Plea From A Cat Named Virtute
10. The Reasons
11. Sun In An Empty Room
12. Left and Leaving
13. Wellington’s Wednesdays
14. Benediction
15. Manifest
16. One Great City!
17. This Is A Fire Door Never Leave Open
18. Virtute the Cat Explains Her Departure

Tony Sly – 12 Song Program – CD Review

After 20 years of fronting well known punk rock act No Use For A Name (NUFAN), Tony Sly continues his passion for music with a different approach by releasing his first full-length solo album.  Last month 12 Song Program dropped thanks to Fat Wreck Chords who have been associated with Sly for most of his career.

Having teamed up with Joey Cape on the 2004 split release Acoustic this is not a new territory for the seasoned punk rocker but is something that he has wanted to do for a couple of years now.  Writing songs in the past that did not fit the NUFAN slot, Sly took recent down time from his band and started recording original material that ranges from folk to pop all with help from his trusty acoustic guitar.

Not going at it all alone on the album Sly received some help from other Fat Wreck musicians/friends including Fat Wreck owner himself Fat Mike as well as Dance Hall Crashers’ Karina Denike who lent her vocals to many of the tracks.  The more mature approach was stripped down and not over produced full of many songs that would be perfect for an unplugged show at a local bar.  With sing along qualities and in depth lyricism this album has a repeat playability written all over it.

Opening track “Capo, 4th Fret” brought back memories of my obsession I had when I first heard the split album with Sly on his acoustic guitar.  The track emulates that of a NUFAN song but of course slowed down and more personable with Sly almost giving reason why he is doing what he does.  “I would live for the sake of others so they could do the same” finished the very lonesome track.

The more upbeat “Via Munich” carried along happy tune about feel good  relationship while away.  Quick and to the point, the track featured Swingin’ Utters‘ Darius Koski on violin.  “The Shortest Pier” jumped back to a miserable feeling of hopelessness.  “AM”, featuring Fat Mike, was one of the songs that stuck in my mind after hearing it.  The song strayed away from sounding like the other tracks on the album with Sly singing at perhaps his most sincere.

“Expired” was an acoustic plucking jam that easily could aid in a drinking problem.  Denike’s beautiful voice matched up with Sly’s towards the end followed by a sample taking from Taking Arizona all surrounded with piano.  This was one of those tracks that deserved another listen immediately.

“Keira” was a likable whisper of a lullaby written by Sly for his daughter.  “Toaster In The Bathtub” was full of witty comparisons to assist in cheering up a certain someone.  This is one of those songs that is best sung with friends loudly whether Sly himself plays it or if it pops up on the jukebox.

“Love, Sick Love” was another choice track of mine on the album even if it was about going different ways.  I could not tell if it was a flute or an organ but whatever instrument was used in the background just kept a certain chill throughout the song with Sly and Denike’s singing.  The lyric in the song “putting out a fire with a flamethrower is strange” might be one analogy I should reference to more often.

Joey Cape helps Sly with vocals on “Amends” and as good as it sounded I was so disappointed with how quick the track was.  At just over 2 minutes I was kind of hoping for a more extended cut of this track as I love hearing the two sing together.  Honestly thinking about it, that would be my only complaint with the entire album; it was too short.

Closing song “Fireball” showcased Sly singing his loudest and perhaps most heartfelt over the other tracks.  The sad song reflected hardship on someone who clearing was without home and had a void in their heart.  The singing matched with the heavy strummed acoustic guitar playing made for one powerful song.  If only there were more tracks on the album to keep that momentum going.

If you were a fan of the Sly/Cape split Acoustic, you will be a fan of 12 Song Program but if you are looking for an extension of NUFAN chances are you will not appreciate this album one bit. It is a punk rocker making music but to a different caliber.

Sometimes punk rockers who grow up trade in their beat up electric guitars and mellow out for a good reason.  It’s not because they are giving up, it’s because they refuse to quit on all the talent they are capable of even if it means slowing down a bit.  Case and point with Tony Sly who dropped a really great release start to finish.  One needs to remind themselves that this is a personal Sly project full of his likable melodies and will rub off a little more unique than when he is with his band that finds a name not that important.

Download This! Tony Sly ‘Via Munich”
Download This!Tony Sly “The Shortest Pier”

Look for Tony Sly to be touring throughout the spring with other Fat Wreck Chords alumni including Teenage Bottlerocket and NOFX.

03/20/10 Austin, TX – SXSW Music Festival w/ Riverboat Gamblers, Teenage Bottlerocket, Cokie The Clown, Dead To Me, Smoke Or Fire, Banner Pilot, Cobra Skulls
04/21/10 Eugene, OR – McDonald Theater w/ NOFX, Teenage Bottlerocket
04/22/10 Spokane, WA – Knitting Factory w/ NOFX, Teenage Bottlerocket
04/23/10 Billings, MT – Shrine Auditorium w/ NOFX, Teenage Bottlerocket
04/25/10 Saskatoon, SK Canada – Odeon Events Center w/ NOFX, Teenage Bottlerocket ****SOLD OUT****
04/26/10 Winnipeg, MB Canada – Burton Cummings Theater w/ NOFX, Teenage Bottlerocket ****SOLD OUT****
04/27/10 Fargo, ND – The Venue w/ NOFX, Teenage Bottlerocket
04/29/10 Milwaukee, WI – The Riverside Theater w/ NOFX, Teenage Bottlerocket
04/30/10 Covington, KY – Madison Theater w/ NOFX, Teenage Bottlerocket
05/01/10 Sauget , IL – Pop’s w/ NOFX, Teenage Bottlerocket
05/02/10 Kansas City, MO – The Beaumont w/ NOFX, Teenage Bottlerocket
05/04/10 Fort Collins, CO – The Aggie w/ NOFX, Teenage Bottlerocket
05/05/10 Albuquerque, NM – The Sunshine Theater w/ NOFX, Teenage Bottlerocket
05/06/10 Tucson, AZ – Rialto Theatre w/ NOFX, Teenage Bottlerocket
05/07/10 Las Vegas, NV – Sunset Station Amphitheatre – PUNK ROCK BOWLING w/ NOFX Teenage Bottlerocket, Fucked Up, Youth Brigade, Guilty By Association
05/19/10 Perth, Australia – Amplifier w/ Joey Cape
05/20/10 Adelaide, Australia – Fowlers Live w/ Joey Cape
05/21/10 Hobart, Australia – The Brisbane Hotel w/ Joey Cape
05/22/10 Melbourne, Australia – Corner Hotel w/ Joey Cape
05/23/10 Wollongong, Australia – Uni Bar w/ Joey Cape
05/26/10 Sydney, Australia – Annandale Hotel w/ Joey Cape
05/27/10 New Castle, Australia – Cambridge Hotel w/ Joey Cape
05/28/10 Caloundra, Australia – Kings Beach Tavern w/ Joey Cape
05/29/10 Brisbane, Australia – The Zoo w/ Joey Cape
06/02/10 Wellington, New Zealand – Bar Bodega w/ Joey Cape
06/03/10 Auckland, New Zealand – Thirsty Dog w/ Joey Cape