Tag Archives: Post-Hardcore

Album Review: Story of the Year – Wolves

It’s been a while since I last got into Story of the Year.

Nothing against the band at all, but I think the last album I listened by them was their 2005 release In the Wake of Determination.

Hell, I remember vividly shooting their set that year at the Cleveland Warped Tour.  I was a big fan of them then and honestly, have no idea why they fell off my radar.

The funny thing is, their first two albums pop up on my slowly-dying iPod classic in my car once in a while, so it is not exactly like I omitted them from my life, I just never go to checking out newer material.

Clearly that ended today after checking out their newest release Wolves.  The St. Louis post-hardcore/punk/rock band released the album just last month, but it took me a minute to check it out.

Wolves is Story of the Year’s fifth full-length album and was crowd-funded in just 3 days upon the announcement of their campaign.  It is their first release in 7 years too.  The result is more emo rock album over the punky post-hardcore I once adored, but this isn’t a bad thing.  Honestly, the dudes sound more collected and mature and given the time-span of when I last really got into them, it makes total sense.

After the intro track, “How Can We Go On” just pounded my ears.  This was how I remembered the band.  Tons of sing-along opportunities, and a energy that easily sucked me in.

“Bang Bang” followed and instantly had me thinking how this track when played live would result in the entire venue jumping up and down screaming and singing.  I hesitated at first with the electronic synthesizer in the song that made it more Family Force 5, but honestly, it worked.

Upon hearing “Youth”, I thought “I Swear I’m Okay” was going to be all guitars and heavy,but things turned down a few notches and suddenly I was sitting there listening to a balled of sorts.  I did not quite know what to think of this one.  I guess I just was amped up with that intro.

“Can Anybody Hear Me?” was a synth-rock balled of sorts that had an 80s physique but was not in a mocking fashion at all.  Not going to lie, I enjoyed the hell out of this song.

“A Part Of Me” came back with the heavier sound I grew accustomed to…or so I thought.  This was another track that just slammed on the brakes and let the feeling pour out.

Luckily, “The Eternal Battle for Mike Cronin’s Soul (To Be Alive Again)” popped up, or I might have just put the album down.  This track was more my speed.  At times it was like Nine Inch Nails jumped in and offered some industrial beats.

“Good Night My Love” was an honest track I feel I have related to over and over in my life when it comes to relationships.  The song did not sound overproduced at all and if anything showcased how far their have come as musicians.

Secretly I was hoping “Like Ghosts” was going to be some outlaw spaghetti western track, but alas it was not.  I did like this song and I hate to say it, but the music at times was very Peter Gabriel and I mean that in a positive mention.

“Praying For Rain” closed the album down with a 7-minute track that really took the listener all over the place.  I loved just a minuter or so in when the guitars just busted in.  My favorite part though was the spoken word in the middle of the track.

Considering it has been 13 years since I could tell you everything about this band (and 7 years since they released new material), clearly they went through changes and fine-tuned their sound to their likening.  This is not a commercially released album forced out by a record label, but more of an underground release.

Overall, solid release by a band who has been in it for almost half of my life.  I dug the variety in Wolves even if I might not have been in the mood for the slower tracks while listening the first time.  I know I will revisit this album again in time.

Don’t expected an “Until the Day I Die” hit song on this album.  This is the album after years of heartbreak and misery that everyone who’s grown up probably can relate to in one way or another.

Album Review: Xerxes – Collision Blonde

Xerxes - Collision BlondeI was waiting for an album to drop this year that would completely steal my undivided attention.  Xerxes has just done that to me.

If any of you know me, chances are you know my love for bands like the Refused, Murder City Devils, Gallows, Thursday and At The Drive-In.  The vocal styles of all those acts is one of the main reasons I have such an appreciation for them.

Xerxes’s new album Collision Blonde seemingly took queues from all those acts and more throwing them together into one killer release.

I love it.  I adore it.  Thank you Xerxes and thank you No Sleep Records for throwing their album on your label.

This young post-punk act from Louisville, KY mixes in so many different musical styles in their jams, I almost hate to classify them into one genre.  With elements of punk,  post-hardcore, goth rock and more, this avant-garde act blew me away the moment I heard their sophomore release Collision Blonde.  

This album overflows with plenty of mental anguish guaranteeing to satisfy any emotional train wreck out there.  Pain, love, and drugs seemingly fueled this release and I’m pretty sure anyone who hasn’t always been in a positive path through life will totally get into Collision Blonde.

Once “I Was Wrong” started I knew this was going to be one of those albums I listened to all the way through with no interruptions.  Calvin Philley just destroys his voice throughout with plenty of distortion that would make Trent Reznor proud.

“Criminal Animal” appealed to me with a garage rock start quickly morphing to something a little more hardcore.  I got a huge kick out of Philley switching to almost a furious spoken word only to start singing again.  “Knife”, toned things down for a moment and clearly was about some object being stuck into one’s back.

“A Toast” had this Cure-like melody and bass line hiding behind intermittent hard riffs and screaming vocals making for a great listen.  The transitions from the singing to the spoken word throughout this track made it even better to listen to.

“Collision Blonde” was beyond a daunting track with Philley just spilling his guts out on top of a melody that easily could be mistaken with The Jesus And Mary Chain or even Bauhaus.  Although dark and lonely, this track really was amazing in so many ways once you got past the emotion and pain.

“Nosedive” ended the album with Philley screaming “just make it stop” over and over.  It was almost like this entire album was a brutal nightmare and it needed to come to an end.

I am not sure if this album was a revelation of pain or a public cry for help.  Regardless, it is powerful lyrically and musically making  Collision Blonde easily one of my favorite releases of 2014 so far.

Perhaps I took in this album a little differently from others.  Having grown up listening to darker styles of music in the 80s and 90s like The Cure and Jesus and Mary Chain, I always wished it were heavier back then.  I loved the music but craved more vocals.  Xerxes seriously captured some of my favorite band styles and added their own harsh twist on it satisfying that younger request.  The result is just insane and I adore it.

Collision Blonde drops on Oct. 21st.  You can pre-order it now over at No Sleep Records.

Get Involved with Get Involved!

Recently members from Thursday, From Autumn To Ashes, Glassjaw, and Judge announced a new project in the works called Get Involved!
Inspired by their shared influences of punk, hardcore, new wave and metal, Get Involved! came together to create an entirely new group, unlike any of their previous endeavors.  Brian Deneeve (From Autumn to Ashes), Todd Weinstock (Glassjaw), Tucker Rule (Thursday), Lars Weiss (Judge) and Derrick Karg each bring a unique style to the band, resulting in a sound that’s dark and heavy yet accessible and memorable. With a release in the works to be dropped later this year, Get Involved! is asking for your help through their Kickstarter Campaign.  You all know how Kickstarter works.  Head on over and help out if you care to.  I know I already pledged $20.  I am stoked to see what this band creates!

Support music, support art, and Get Involved! Back Get Involved!’s Kickstarter Campaign now.  With just 2 weeks left, the band is just over 40% to their goal.  Help out if you can!!!

letlive.

Not a lot of new albums have been catching my ears as of late, but L.A.’s letlive. has grabbed my attention with their latest post-hardcore release.  Following the lines of Glassjaw and Refused, this is the music that needs to stick around.  Hell I can even hear a little Blood Brothers and At The Drive In in their music and I really find that awesome.

letlive. has been around since 2002, but recently signed with Epitaph and their album Fake History is dropping April 12th for your listening pleasure.  Rumor has it that their live shows are absolutely insane.  Here’s hoping for a Cleveland show to see if that is true.

Check out their video for “Renegade 86”:

Here’s a video for “The Sick, Sick 8.6 Billion” their dropped on their MySpace page:

letlive. – “The Sick, Sick, 6.8 Billion”

letlive | Myspace Music Videos

Share A Bus With Thursday

Be the first to hear Thursday’s forthcoming new album!  On their bus!!!

Wait.  What?

It’s true.  Emo/Post-Hardcore act Thursday are currently in the middle of a tour and want their fans (well, 6 of them at each show) to hang out on their bus and listen to a few songs off their new album.

See the following from the band:

“Throughout our current tour with Underoath we’re giving you a chance to hear a little bit of the brand new album!  Each show we’ll bring 6 fans onto the bus to hang out and hear a few songs.  All you have to do to enter is send an e-mail to turnpikedivides@gmail.com with your NAME, CELL PHONE NUMBER and the DATE/CITY of the show you’ll be attending.  We’ll be notifying the winners a few days before the show so keep an eye on your e-mail as the date of your show approaches.  Winners will also receive a text day of show letting you know where to meet for the listening session.” – Thursday

Pretty sweet if you ask me.

What’s even sweeter s that they are coming to Cleveland on Feb 10th.  Shoot them an email and try your luck if you are going to the show.

Thursday Tour Dates:
Jan 24 – Albuquerque, NM – Sunshine Theater
Jan 25 – Tempe, AZ – Marquee Theatre
Jan 26 – West Hollywood, CA – House of Blues
Jan 27 – Anaheim, CA – House of Blues
Jan 28 – Las Vegas, NV – Hard Rock Café
Jan 29 – San Diego, CA – Soma
Jan 30 – San Francisco, CA – The Regency Ballroom
Feb 1 – Portland, OR – Roseland Theatre
Feb 2 – Seattle, WA – Showbox SoDo
Feb 3 – Spokane, WA – Knitting Factory
Feb 4 – Boise, ID – Knitting Factory
Feb 5 – Salt Lake City, UT – In The Venue
Feb 6 – Denver, CO – The Summit Music Hall
Feb 8 – Minneapolis, MN – First Avenue
Feb 9 – Chicago, IL – House of Blues
Feb 10 – Cleveland, OH – House of Blues
Feb 11 – Buffalo, NY – The Town Ballroom
Feb 12 – Royal Oak, MI – Royal Oak Music Theatre
Feb 13 – Toronto, ON – Phoenix Concert Theatre
Feb 14 – Montreal, QC – Metroplis
Feb 16 – Pittsburgh, PA – Club Zoo
Feb 17 – New York, NY – Terminal 5
Feb 18 – Worcester, MA – The Palladium
Feb 19 – Philadelphia, PA – Trocadero
Feb 20 – New Haven, CT – Toad’s Place
Feb 22 – Washington, DC – 9:30 Club
Feb 23 – Charlotte, NC – Amos’ Southend
Feb 24 – Knoxville, TN – Valarium
Feb 25 – Atlanta, GA – The Masquerade
Feb 26 – Lake Buena Vista, FL – House of Blues
Feb 27 – Ft. Lauderdale, FL – Revolution