Tag Archives: Country

Best Of 2011 According To BHP

Well it would appear that 2011 is coming to an end.  With that said, it’s time for a “Best Of…” Broken Headphones 2011 edition.

There were a ton of amazing releases throughout the year as well as live shows that I was able to attend.  Below is just a various list of bands that caught my attention, be it a recording or live show, over the past 12 months.

I should add that some of my favorite releases were from local Akron/Cleveland acts.  I am not just dropping their names because we are pals or anything, they all worked hard and put out some excellent releases.  If you have not heard of any of them, you really should check them out.

I may have missed a band here or there, but the following were the ones that stood out over the rest.

Albums of the Year:

SeahavenWinter Forever

*Hands down this is one of my favorite albums to drop this year.  They just have this indie punk rock sound that is ever so likable – trust me on this.  The first time I listened to it, I was hooked.  I see big things happening with this band in the near future.

NothingtonBorrowed Time

*This is another album I favored over the rest this year.  Catchy lyrics layered over wholesome punk rock is what this album is all about.  To make matters even better, they kick ass live.  They are coming back to Cleveland next month and I can not wait to see them again.  Listening to this band brings me band to the punk rock 90s I grew up on.

All DinosaursParanoid Indigenous

*So maybe the music was released in 2010, but the LP dropped this past Spring so I consider it a 2011 release.  This Cleveland act is beyond fun to listen to plus they put on one of the best live shows ever.  They are funny, quote 80s movies and are in it for the fun.  It helps they are also all super cool dudes.  If you are a Cleveland native, you should already know how amazing this band is.

Dave HauseResolutions

*I was a little late checking this album out as it was released in early 2011, but am glad I did not pass it up.  Hause (The Loved Ones) is an amazing musician and proves it in this killer solo release.  With help from his friends, he put together one hell of a release.  Do me a favor, if you like music, listen to this.

Living With LionsHoly Shit

*Words can not really describe how impressed I was when I heard these guys.  All I know is I will have this album playing regularly for a long long time.

Deer TickDivine Providence

*The boys in Deer Tick changed it up a bit and put forth a bitching rock album that I really dug.

DawesNothing Is Wrong

*Oh Dawes…you’ve done it again.  What a solid release.  You guys are on your way to being huge.  Keep it up.

Those DarlinsScrews Get Loose

*The girls and Lynwood dropped a impressive follow-up to their debut this year and I adore it.  Still kicking around the country-punk attitude, the foursome toyed with a more indie / garage rock sound and did a fine job doing so.

Old Man MarkleyGuts n’ Teeth

*This self-proclaimed “New Grass” band was one of the more fun releases I had have the pleasure of checking out this year.  I can not wait to see what happens next with these guys and gals.

Banner PilotHeart Beats Pacific

*Impressive release by a great punk rock band.  They need to play Cleveland soon.

White WivesHappeners

*This was the surprise release of the year for me.  Featuring members of Anti-Flag, this album is far from a pop-punk rock album.  On the lines of indie rock, White Wives needs to be heard.

A.A. BondyBelievers

*This guy really outdid himself.  You really have to check it out for yourself to realize why I appreciate it so much.  It’s a really beautiful release to listen to.

Bon IverBon Iver

*Not normally something I would listen to, but holy shit – it rules.

The Black KeysEl Camino

*Yeah yeah yeah… The former Akron, OH boys once again put out a release I admit I love.  I do not love the fact that the next time they hit Cleveland, they will be playing an arena.  It is safe to say they made it big time.  Let’s hope they don’t screw it up.

Signals MidwestLatitudes & Longitudes

*And yet another local act.  These guys are a big deal though…to me at least.  The dropped a really good record.  For serious.

EPs of the year:

LutherSiblings & Sevens

*Folk / Punk / Rock awesomeness.  I was caught off guard by this band.  They rule.  Sadly they had to cancel their Cleveland show after the band was involved in an accident in Chicago.  Luckily no one was seriously injured.  I can not wait for their full-length to drop.

Harvey PekarThirty Ghosts

*Dear Harvey Pekar (the band), thank you for existing.

Worship This! – Demo

*I normally do not mention bands that I am really good friends with the members, but I adore this band.  That’s all I have to say about that.

Two Hand FoolsBelieveland

*These guys better get signed in 2012 or else I am going to fight someone.  Another Cleveland act with plenty of talent.

Cherry Cola Champions – EP

*I remember the first time I saw these guys live.  I was not into them during their first song, and once their second song started, I was blown away.  Looking forward to seeing what this duo has up their sleeves next year.

The Awesome:

-Going to SXSW and seeing bands such as The Dead Milkmen, Flatliners, Dead To Me, Eyehategod, and tons others at various venues in Austin, TX earlier this Spring.  It was one hell of an experience to see so many bands cramped into such an amazing city.  Sadly when you have that many bands, you tend to miss out on some great sets by amazing bands.  Regardless, it was just awesome.  Plus…I saw Dale Watson play at Ginny’s.  That right there made my trip.

-Hanging out with Ninja Gun for a few days.  These guys are some of the best dudes I know.  They wanted to play shows on the East coast and I was able to lure them to Kent to play a show in September.  We all enjoyed hanging out so much that they kicked it for a couple more days where I took them up to Melt for some cheesy deliciousness.

-Getting Dave Hause to play a house show in Akron.  After seeing that Dave Hause was not playing a show in the Cleveland area just 2 weeks ago, I threw him the idea of a house show and he and tour mate Cory Branan were totally down with the idea.  The result was a show to remember with Hause and Branan trading off songs all night long.

-Hanging out with friends, new and old, at the Inner Sanctum Pier show on the E. 9th pier.  More people could have showed up, but regardless, I had a killer time that sunny day and got to watch Pat The Producer turn into a human tomato.

-Hanging out with Rise Against and doing some charity work them at the Malachi House in Cleveland.  The guys were super cool to hang with and really did not have that “rock star” attitude built from success.  Props to 92.3 for making that happen.

-Making the trip back to Austin, TX early November and attending Fun Fun Fun Fest.  I got to see some of my favorite bands all in one weekend including Murder City Devils, Hot Snakes, Hum, Slayer, Eyehategod, The Damned, Black Joe Lewis & The Honeybears, and Russian Circles.  This was one of my favorite festivals of all time.  It was a festival I had wanted to attend for a a few years now and I decided to go for it.  I am so glad I did.

-It’s A Kling Thing House & Girley House.  Both houses put on some amazing shows in 2011 with local acts as well as touring bands.  Seeing Jeff Rowe over the summer as well as Mixtapes just a month or so ago in a basement is as good as live shows get for this guy.

-Daytrotter’s Barnstormer Tour.  What a great evening of music that was.  The show was in a freaking barn.  Yes, I do not remember much as the beers were going down like water, but I know I had a blast with some pretty special people.

The Suck:

-Ben Weasel’s SXSW blowout.  Sadly I was on the other side of town watching Cleveland’s very own Ringworm in a ghetto ass bar.  Don’t ask me why I skipped out on seeing Screeching Weasel live, I was under the influence of many ice cold Lone Star beers.  Honestly, I am kind of glad I missed Weasel acting like a little girl on stage.

-Danzig’s Fun Fun Fun hissy fit.  One of the main reasons I wanted to go to Fun Fun Fun Fest was because the Danzig Legacy was playing it.  I was stoked to finally see Danzig sing some Misfits songs with Doyle on stage.  Instead I witnessed a diva take the stage late and get their set cut as they played past curfew.  I only heard two Misfits songs and left with a bad taste in my mouth.  People can think what they want about Danzig and that night.  I was in the crowd watching heater being pulled on stage as well as the side of the stage tarped up so that little Glen would not get cold.  It was over an hour until the stage met his needs and the dude was fully aware of the curfew.  I will say that the two Mistfits songs had me feeling like a kid all over again.  Shame I could not witness the entire set that he had planned.  Lucky for me Ted Leo did a TV Casualty set the next day and made up for the Danzig drama.

-Seeing NOFX over Those Darlins.  I regret that decision a lot.  Two of my favorite bands played the same night and I had to choose one over the other.  The good news was that I got to see and meet Old Man Markley.  Sorry Darlins, I will not miss you next time you all hit up Cleveland.  Please forgive me.

-Atari Teenage Riot’s Cleveland show getting cancelled.  I was stoked to see these guys and was prepared to lose my hearing that night.  Hours before the show, their promoter cancelled the show.  Needless to say, I was pissed.

-92.3 and 107.3 changing formats.  Cleveland is a lost cause with radio now that both those stations were yanked.

Wrapping it up…

2011 ended with a bang for this music lover.  Thanks to all my friends from all over who made this year extra special for me.  You all know who you are.  From letting me crashing on couches to allowing bands to play in their basements you helped make this year what it was.  Also to everyone who attended shows with me and shared the same passion I have for music, thanks.

Happy holidays everyone and thanks for taking a part out of your day to visit this site.

Ok 2012, let’s see what you have in store.


Rapid Reviews: Brett Detar, JuiceheaD, Transit, Coffee Project, The Flatliners and I Am The Avalanche

Let’s face it, this site is a one man show for the most part and as of late I have been living quite the busy life.  I am continually presented with amazing music for review consideration and sadly there is not enough time in the day for me to not only get through work and school, but to also write nice things about all these awesome bands.

So today I decided to throw out a few quick reviews on a couple of bands that have been sitting in my “cool” stack.  I wish I had more time to go into complete detail as I hate writing little reviews on bands, but I am thinking this might be a good idea to just spread the word out.  If you like what I said about the band, check them out, support them, share their music and help them continue to do what they love to do.

This week proves to be a busy one for me with tomorrow’s Strike Anywhere / Dead To Me / Menzingers / Holy Mess / Signals Midwest show as well as Wednesday’s NOFX / Anti-Flag / Old Man Markley show.  I thought perhaps I should be proactive and hammer out a few reviews while I had a moment.

Enjoy and as always, thanks for wasting some of your day on my site.

Brett Detar – Bird In The Tangle

With having the history of being a former guitarist/bassist of metalcore act Zao and also the lead singer of The Juliana Theory, it came as a great surprise to me when I was told that Brett Detar recorded a country / folk album.  The solo attempt by Detar, titled Bird In The Tangle,is actually a damn good listen too (it was released almost a year ago).  Hearing this album, you would never think that Detar, who grew up in PA, could have so much outlaw in his blood.  The moment the album started with “Empty House On A Famous Hill”, I was completely overtaken by his singing and music writing abilities.  “The Devil’s Gotta Earn” was my favorite cut off this album and “Cocaine Whiskey and Heroine” was a close second.  Following the likes of Nick 13 and Tumbledown, this genre jump from a guy who used to provide fast paced ear-pounding music has captured a style of outlaw country that is welcomed in my world.  Detar reminds me a lot of Justin Townes Earle but with more of a folk feel as well as had some Murder By Death tendencies.  Want to check it out?  Head over to Brett Detar’s website and download it for free!

JuiceheaD – How To Sail A Sinking Ship

Chicago punk rockers JuiceheaD has been off the charts for a bit but have recently dropped How To Sail A Sinking Ship. This is their second full-length release since their 2007 debut The Devil Made Me Do It. Sure, 7 years is a long time in between albums, but in their defense, there are 20 songs on this new release, a rarity in today’s punk rock recordings.  Not familiar with their sound, I gave it a listen hoping for the best.  The album started out a little slower than anticipated, but things picked up during “Lorraine” and brought back an old school punk rock vibe that I enjoyed.  “Deadly Nightshade” was an entertaining track that had some nice 80’s punk rock vibes contained within.  Hoping that the rest of the album would spark my interest, sadly it did not.  It’s not a terrible listen by any means, it just lacked that extra “oomph” my ears were hoping for and was more rock n roll throughout with a good drum beat that sounded a tad under-produced.  I won’t lie, I was not stoked to see that their album was released on Misfits Records (it should be called MISFIT Records as it’s solely owned by Jerry Only) as most of their releases do not entertain me at all.  Melodic punk rock would be how I would describe How To Sail A Sinking Ship.  It is nothing beyond that to me and I really was hoping for something a little more from these guys.

Transit – Listen & Forgive

Boston’s Transit could be classified as just another pop-punk act, but there is just something about them that makes them stand out over other similar acts.  They have a tougher sound on a few of their songs that proves to me that they have the ability to attack if threatened, but overall have a soft side to them that stands out.  Regardless of how they are viewed by others, I dig this band and I really enjoyed their recent Rise Records release Listen & Forgive. Think Taking Back Sunday meets Saves The Day meets a calmed down New Found Glory.  “You Can’t Miss It” opened the track with a memorable track.  I could have done without Patrick Stump offering vocals on “All Your Heart”.  Seriously, that song did nothing for me.  “Cutting Corners” was, on the other hand, a track I dug a lot with “make every song your anthem and every night your last”, a lyric that pretty mush defined me growing up.  “Long Lost Friends” was a more aggressive track that stood out over the rest.  This band may be unknown to most music fanatics out there, but I have the feeling that will not be for long.  I hope just it has nothing to do with that song Stump was on…

Coffee Project – Concrete Boots EP

Love them or hate them, Coffee Project is a catchy and unique act that many have been talking about recently.  What you need to know about this is this: They are a duo consisting of trombonist Buddy Schaub and Rehasher’s Jake Crown, they are fun, they are catchy and they specialize in brassed out punk pop acoustic rock.  Recently the band dropped an EP titled Concrete Boots that includes their version of “Little Boxes” , the Malvina Reynolds written song turned Weeds intro that has been recorded over and over by all sorts of bands, as well as 4 brand new songs.  The opening track “”Shenandoah” was more of a bluegrass boot-stomping jam that seeming proved the duo has been taking this project seriously.  The accompanying female vocals on the title track was enjoyable although I have no idea who it was.  “Exit Stage Left” was more of an indie rock track that was not half bad while “Laid Up” led back to their standard sound – singing with acoustic guitar and a trombone.  Regardless on how far this band plans on moving in the music scene, they are fun and enjoyable to listen to.  This EP hopefully is just a sample of what they have up their sleeves for their next full length release.

The Flatliners – Count Your Bruises EP

The Flatliners are a Fat Wreck Chords band that I have adored since their early days.  Hailing from Ontario, Canada, they have this great punk rock sound that I appreciate and always seem to release the catchiest punk rock albums.  Seeing how much I dig this band so much, I am shocked to have missed the memo that they released an EP back in August.  Titled Count Your Bruises, the three song EP (also available as a 7″) straight up rules from start to finish.  The title track glided past me quickly as I immediatly found myself trying to memorize the lyrics so I could sing along.  “Sticky Bastards” really sounded like a gritty Gaslight Anthem  song but was in no was a ripoff.  The final track, “This Guy Reads From A Card”, was just as amazing as the first track and by the song’s end I just wanted more.  I suppose I will have to wait though and I will be sure to follow this band and their future releases.  The EP may have been just three songs, but they were all kick ass tracks.  Now all I can hope for is a new full-length from this great band and pray that the next time they roll through my neck of the woods I can see them live.  I caught them briefly at SXSW earlier this year, but it just was not enough.  Wishful thinking right?

I Am The Avalanche – Avalanche United

After 6 long years, Brooklyn’s I Am The Avalanche has dropped their all new album titled Avalanche United. There is no point asking what took so long for Vinnie Caruana and crew to release new material.  All you need to do is listen to Avalanche United once and it is perfectly clear that no explanation is needed as the band has dropped a superb follow-up.  With a mostly positive attitude throughout, the band references NYC and has lyrics that almost coach their friends to embrace the life they life especially heard in opening track “Holy Fuck”.  With that said, there are a couple dark spells throughout like “Amsterdam” that seemingly carries a couple of references to personal separation.  “Brooklyn Dodgers” was an anthem of awesomeness.  I loved this track start to finish.  It was a fist pumping sing along that was just refreshing to listen to.  The beer chugging invite “This One’s On Me” probably sounds a little better mixed with friends – and beers.  Bayside’s Anthony Raneri may have jumped in with some vocals on “The Grave Digger’s Argument”, the the song still just was missing something.  Perhaps I am just more into the tougher singing throughout the album.  Closing track”Gratitude” threw me for a curve at the beginning as it sounded like a 90s alt-rock song but soon picked up and continued on with a good jam that ended this album in a good way.  If you are looking for a catchy album to listen to that leans a bit on the heavy side, check these guys out.

Concert Review: Wagons / Dirt Daubers / Heelsplitter – Beachland Tavern – Cleveland, OH – 09/11/2011

Well Cleveland, I hate to say it, but you all missed out Sunday night on one hell of a show.  I am not one to usually say things like that, but Sunday night was an amazing night of music and chances are, you were not there.  For those of you who were though, I am sure you can all agree that Wagons, The Dirt Daubers, and Heelsplitter all put on a memorable show.

Sunday night was all about Americana, folk, and outlaw country inside the Beachland Tavern.  Making a triumphant return to the best little venue in Cleveland, Henry Wagons and his band Wagons traveled all the way from Melbourne, Australia making sure that Cleveland was one of their stops.  About a year ago, Henry Wagons came to the states without his band and played a solo set at the Beachland Tavern.  Later that night Wagons told me that he would bring the rest of his band back soon and play Cleveland again.  The man kept his word.

Local openers Heelsplitter wowed me instantly with their “Frankenbass”, a homemade upright bass with the body being a drum and one string bolted to neck of the instrument.  The two bearded males and cute female act played some awesome songs and had me actually question myself at one time, “are these guys really from Cleveland?”  The band reminded me of Split Lip Rayfield, a band I really adore, but did not completely rip them off.  Frankenbass, banjos, washboard, and no drums provided for a great start to the night.   I loved it when the trio all switched up their instruments and played more tunes.  I witnessed various Frankenbass playing styles  from plucking to beating the hell out of and must say, marveled at its creation.

Up next was the husband / wife act The Dirt Daubers.  Featuring JD Wilkes of the Legendary Shack Shakers, the duo, normally a threesome, admitted that they were missing their bass player and Jess would be filling in on the kick drum.  Their set was full of rockabilly, blues, country goodness and it was just two people on the stage playing the music.  Never mind the fact that Jess was dressed in quite the adorable dress, she kicked that drum all through their set in high heels as if she had done it many times prior.  Laughs were shared by the duo and crowd she Jess admitted a couple songs in that “this is fucking hard” and soon said that if she kept playing the kick drum she was going to have one Popeye leg.

JD looked like Buddy Holly in a way with his banjo and harmonicas strapped to him.  Throughout their set, they played songs from their upcoming new album titled Wake Up Sinners. I could not help but be amazed when JD would rip a harmonica out of one of the holsters attached to him and would play it.  I was more impressed when JD grabbed his washboard and showed the crowd his secret to not using a strap to secure the washboard – he stuck the legs in his front pockets.

The duo played a few more songs and covered Elvis as well as Gene Autry.  Towards the end of their set played a fast paced jam featuring a kazoo.  It was the best kazoo playing I have ever heard.

I wanted to hear more from the couple, and I think they wanted to play more, but had to kindly exit the stage and make way for the headliners.

It turned out a lot of people came to see The Dirt Daubers over Wagons and I thought for a moment some people might pick up and leave before the main act, but Jess told the crowd how amazing and fun they were the other night.  She even stated that Henry dedicated each of the seven songs on his set to each of the seven people that were in the bar the night before.  I would estimate that there were about 20 people in the tavern by the time Wagons took stage.

Opening with “Shake & Tumble” off the bands brand new release, Wagons turned the heads of anyone who was not looking at the stage.  It was not all business for the band as Henry talked to the crowd throughout songs confessing he knows “what a big deal primetime television is” and admitted that he has been powered by buttered vegetables for the last couple of days.

Henry mentioned Cracker Barrel quite a few times.  The man loves his American cuisine.  He even took a moment to ask the crowd where he could get some bacon ice cream and seemed disappointed when someone screamed back IHOP.

While playing “Save Me”, Henry left his band behind and jumped into the crowd headband and all.  Masking the best of his surroundings, he joked with the crowd how the band was probably sick of him and soon returned to his brethren and played “Never Been To Spain”.  I heard Henry play this song last year at his solo performance, but when the band backed him up this time, I was just floored with how awesome it sounded.  The band then moved into Wagons’ version of “The Gambler”, where Henry told the crowd that he wanted to be the next Kenny Rogers.

Before the band broke into “Driving Home” Henry asked for tips on getting to Chicago.  Someone mentioned toll booths and, of course, Henry found humor and asked “tall boobs?”

The rest of the band was included in discussions as well and props were given to This Way Out, the sweet shop that lies below the Beachland.  Once of the band members actually bought a shirt there prior to the show.  They did not say why, but after the show I found out he did that because he was wearing a Cincinnati Bangles shirt.  He was not trying to be crude, he seriously had no idea.  Apparently someone yelled at him before the show started.

Hoping to hear more songs by Wagons, they played more personal “Moon Into The Sun” and then closed the night with “Willie Nelson”, a track about, you guessed it…  The soon crowd was all singing along “he likes some salt and pepper with his evening meal” with the band and soon after the set came to an end.

There could have been two people or two hundred in the tavern Sunday night.  The band did not care one bit and played their hearts out to all those who attended.  The people that were lucky enough to witness that which is Wagons showed their approval throughout the entire set.  Ironically one of the guitarists told everyone that he had played a ton of shows and Cleveland was one of the best shows he ever played.  He was dead serious too.  After everything was said and done I was chatting with the band and it was either Mark or Chad that told me he was dead serious about what he said.  He loved the tavern that he just played in and was glad to have been able to do so.  They all told me they would be back again one day to rock out.  I know that is not a lie either.  I see big things coming from this Aussie outlaw county band.

Henry Wagons Checks In…

It’s no secret, Broken Headphones loves Henry Wagons and his band Wagons (two consecutive posts might hint at that…).  The guy beyond hilarious and his band dishes out some of the best outlaw country/rock I’ve heard in a long time. 

I just hammered out a review of the latest Wagons release the other day for your reading pleasure and decided I might as well touch base with Henry through the magical forces of email.  Currently Henry and his band are touring North America in support of their new release titled Rumble, Shake and Tumble.  Here’s what he had to say:

Henry, what brings you back to the states?

My global brainwashing mission is in full effect! I eventually want to take over the world with one of those swirly patterns on a TV transmission. Playing music with my band is the first step.

Were you able to bring your band along this time?

I have brought 3 stinky dudes with me.

How has the tour been so far?

It’s been great. Pretty much Seattle and Canada so far. I’m still bracing myself for the rest. I want to try as many weird burgers as I can.

I understand you flew to Toronto Monday night in a small plane with old men. How did that go?

It was a little bumpy and a little grumpy (old men).

How’s the tour been this round? Did that stupid hurricane affect you at all?

The only hurricane style event we have faced was the powerful massage shower in our Toronto hotel room.

What can someone expect to see at a Wagons show?

A lot of pent up energy expressed from many hours in the van and in airport customs queues. All the bodily fluids that are retained within our bodies from a aeroplane pressurised cabin come out on stage in the form of blood sweat and tears.

Most importantly, are you rocking the headband?

You know it.


Wagons are actually playing the Beachland Tavern this Sunday! Tickets are only $8.  As I have mentioned previously in posts, Wagons are already big deal in Australia.  8 bucks…do it!

Wagons ‘Rumble, Shake and Tumble’ USA/Canada Tour
Sep 03 | Bumbershoot Festival – Seattle
Sep 04 | Railway Club – Vancouver
Sep 06 | Horseshoe Tavern – Toronto
Sep 07 | Zaphod Beeblebrox – Ottawa
Sep 08 | Rockwood Hall – NYC
Sep 09 | Union Hall – NYC
Sep 10 | World Café Live – Philadelphia
Sep 11 | Beachland Tavern – Cleveland
Sep 13 | Hide Out – Chicago
Sep 14 | The Basement – Nashville
Sep 15 | Hangar 9 – Carbondale
Sep 16 | Off Broadway – St Louis
Sep 17 | Hi-Tone – Memphis
Sep 19 | At the Earl – Atlanta
Sep 21 | Hotel Café – LA

Album Review: Wagons – Rumble, Shake and Tumble

Henry Wagons and I met by chance one day last September.  He was an opening act for Those Darlins that night and I remember the tall Aussie armed with a headband and acoustic guitar impressed me beyond belief.  His set filled up the tavern that night with outlaw folk/country jams making me an instant fan.  After his set I learned that Henry Wagons hailed from Melbourne, Australia, and actually left his band, Wagons, back home as it was too tough to fly everyone to the states.  Even though they were a pretty big deal back home, Henry Wagons took it upon himself to spread their music to the states.  I left that night with a copy of a Wagons CD titled Rise and Fall of Goodtown, a sweet towel and new love for an Australian band.

I tried my hardest to see Wagons play at SXSW in Austin, TX, this past spring, but thanks to a botched flight, I did not get there in time.  Rumor has it, Wagons turned a bunch of heads with a memorable set in which they played new material off a new album.  Needless to say, I was bummed out that I missed my chance to see Wagons and hear some of the upcoming tunes.

Luckily for me and many other fans, Wagons dropped their fourth all new release titled Rumble, Shake and Turn on Thirty Tigers toward the end of the summer.  The album is country, it’s rock, it’s even a little cabaret and sure as hell is full of outlaw tendencies.  When listening to Wagons, you get a sense you have heard the music before not just from your father’s collection, but also from your grandfathers collection you might have been exposed to at a young age.  The band takes generations of music and blends it perfectly into their own style guaranteed to turn some heads.

Opening track “Downlow” is very Tom Petty sounding from the get go with lyrics that almost could emulate Wagons’ very own wit and charm.  “I Blew It”, a quite addicting track to listen to, immediately followed full of outlaw country styles as well as some Elvis-sounding growling within.  The music video as seen below is pretty damn amazing as well.  “Moon Into The Sun” was about as country twang as any track on the album gets with a more sensitive Wagons declaring “my life has been a fucking mess without you.”.  Wagons’ singing on this track easily brought the listener back to the days of Twitty, Williams, Jennings, Haggard, and even a starving young Cash and seemingly did not sound like he was even trying to.

The ever catchy tribute to Willie Nelson,  properly titled “Willie Nelson”, deserved multiple plays on account of how fun it was to listen to.  Comparing Nelson to other greats, I loved how Henry Wagons shifted his accent  (“Willie Nel-sun!”) in a clear comical attempt to mess with the listener yet pay a homage to a country great.  “He likes some salt and pepper with his evening meal” is repeated over and over by Wagons about his favorite musician in the country music business and as much of a tribute the song was, it was just hilarious to listen to.  I would love to know what Nelson’s reaction was about this track.

“Love Is Burning” was an unexpected track on the album that was more rock and roll than anything.  “My Daydreams” was a thoughtful track spanning around romance that easily has the ability to swoon.  Wagons’ had no problem recalling the outlaw greats throughout the track as the band backs him up.  “Save Me” was a simple upbeat tune with easy sing-a-long qualities, more of that country twang and even a little blues thrown in.  “Follow The Leader” moved along with almost a train track rhythm only to jump rail and turn psychedelic for a moment.  i did not know what to think about this song.  It definitely strayed away from the rest.  “Marylou” ended the album and at the very end, Wagons closes out the album with a sigh making me wonder how personal that track really was to Wagons.

Rumble, Shake and Tumble was a great album from start to finish full of American genres with a modest Australian twist.  Wagons and company pull off yet another impressive release that more people need to check out.  Wagons has quite the fan base back home and I am pretty sure before long, we Americans will be picking up on their talent.

Wagons is actually back on a US tour in support of the new release and will be stopping at the Beachland Tavern in Cleveland this Sunday Sept. 11th.  Tickets are only $8 and if you fathom yourself a folk/country/rock fan, you would be doing yourself a favor seeing them live.  Not only is the music good live, but Wagons himself is a pretty candid guy.  Don’t be lame.  Get up there Sunday night.