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Best Of 2011 According To BHP

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Well it would appear that 2011 is coming to an end.  With that said, it’s time for a “Best Of…” Broken Headphones 2011 edition.

There were a ton of amazing releases throughout the year as well as live shows that I was able to attend.  Below is just a various list of bands that caught my attention, be it a recording or live show, over the past 12 months.

I should add that some of my favorite releases were from local Akron/Cleveland acts.  I am not just dropping their names because we are pals or anything, they all worked hard and put out some excellent releases.  If you have not heard of any of them, you really should check them out.

I may have missed a band here or there, but the following were the ones that stood out over the rest.

Albums of the Year:

Seahaven – Winter Forever

*Hands down this is one of my favorite albums to drop this year.  They just have this indie punk rock sound that is ever so likable – trust me on this.  The first time I listened to it, I was hooked.  I see big things happening with this band in the near future.

Nothington – Borrowed Time

*This is another album I favored over the rest this year.  Catchy lyrics layered over wholesome punk rock is what this album is all about.  To make matters even better, they kick ass live.  They are coming back to Cleveland next month and I can not wait to see them again.  Listening to this band brings me band to the punk rock 90s I grew up on.

All Dinosaurs – Paranoid Indigenous

*So maybe the music was released in 2010, but the LP dropped this past Spring so I consider it a 2011 release.  This Cleveland act is beyond fun to listen to plus they put on one of the best live shows ever.  They are funny, quote 80s movies and are in it for the fun.  It helps they are also all super cool dudes.  If you are a Cleveland native, you should already know how amazing this band is.

Dave Hause – Resolutions

*I was a little late checking this album out as it was released in early 2011, but am glad I did not pass it up.  Hause (The Loved Ones) is an amazing musician and proves it in this killer solo release.  With help from his friends, he put together one hell of a release.  Do me a favor, if you like music, listen to this.

Living With Lions – Holy Shit

*Words can not really describe how impressed I was when I heard these guys.  All I know is I will have this album playing regularly for a long long time.

Deer Tick – Divine Providence

*The boys in Deer Tick changed it up a bit and put forth a bitching rock album that I really dug.

Dawes – Nothing Is Wrong

*Oh Dawes…you’ve done it again.  What a solid release.  You guys are on your way to being huge.  Keep it up.

Those Darlins – Screws Get Loose

*The girls and Lynwood dropped a impressive follow-up to their debut this year and I adore it.  Still kicking around the country-punk attitude, the foursome toyed with a more indie / garage rock sound and did a fine job doing so.

Old Man Markley – Guts n’ Teeth

*This self-proclaimed “New Grass” band was one of the more fun releases I had have the pleasure of checking out this year.  I can not wait to see what happens next with these guys and gals.

Banner Pilot – Heart Beats Pacific

*Impressive release by a great punk rock band.  They need to play Cleveland soon.

White Wives – Happeners

*This was the surprise release of the year for me.  Featuring members of Anti-Flag, this album is far from a pop-punk rock album.  On the lines of indie rock, White Wives needs to be heard.

A.A. Bondy – Believers

*This guy really outdid himself.  You really have to check it out for yourself to realize why I appreciate it so much.  It’s a really beautiful release to listen to.

Bon Iver – Bon Iver

*Not normally something I would listen to, but holy shit – it rules.

The Black Keys – El Camino

*Yeah yeah yeah… The former Akron, OH boys once again put out a release I admit I love.  I do not love the fact that the next time they hit Cleveland, they will be playing an arena.  It is safe to say they made it big time.  Let’s hope they don’t screw it up.

Signals Midwest – Latitudes & Longitudes

*And yet another local act.  These guys are a big deal though…to me at least.  The dropped a really good record.  For serious.

EPs of the year:

Luther – Siblings & Sevens

*Folk / Punk / Rock awesomeness.  I was caught off guard by this band.  They rule.  Sadly they had to cancel their Cleveland show after the band was involved in an accident in Chicago.  Luckily no one was seriously injured.  I can not wait for their full-length to drop.

Harvey Pekar – Thirty Ghosts

*Dear Harvey Pekar (the band), thank you for existing.

Worship This! – Demo

*I normally do not mention bands that I am really good friends with the members, but I adore this band.  That’s all I have to say about that.

Two Hand Fools – Believeland

*These guys better get signed in 2012 or else I am going to fight someone.  Another Cleveland act with plenty of talent.

Cherry Cola Champions – EP

*I remember the first time I saw these guys live.  I was not into them during their first song, and once their second song started, I was blown away.  Looking forward to seeing what this duo has up their sleeves next year.

The Awesome:

-Going to SXSW and seeing bands such as The Dead Milkmen, Flatliners, Dead To Me, Eyehategod, and tons others at various venues in Austin, TX earlier this Spring.  It was one hell of an experience to see so many bands cramped into such an amazing city.  Sadly when you have that many bands, you tend to miss out on some great sets by amazing bands.  Regardless, it was just awesome.  Plus…I saw Dale Watson play at Ginny’s.  That right there made my trip.

-Hanging out with Ninja Gun for a few days.  These guys are some of the best dudes I know.  They wanted to play shows on the East coast and I was able to lure them to Kent to play a show in September.  We all enjoyed hanging out so much that they kicked it for a couple more days where I took them up to Melt for some cheesy deliciousness.

-Getting Dave Hause to play a house show in Akron.  After seeing that Dave Hause was not playing a show in the Cleveland area just 2 weeks ago, I threw him the idea of a house show and he and tour mate Cory Branan were totally down with the idea.  The result was a show to remember with Hause and Branan trading off songs all night long.

-Hanging out with friends, new and old, at the Inner Sanctum Pier show on the E. 9th pier.  More people could have showed up, but regardless, I had a killer time that sunny day and got to watch Pat The Producer turn into a human tomato.

-Hanging out with Rise Against and doing some charity work them at the Malachi House in Cleveland.  The guys were super cool to hang with and really did not have that “rock star” attitude built from success.  Props to 92.3 for making that happen.

-Making the trip back to Austin, TX early November and attending Fun Fun Fun Fest.  I got to see some of my favorite bands all in one weekend including Murder City Devils, Hot Snakes, Hum, Slayer, Eyehategod, The Damned, Black Joe Lewis & The Honeybears, and Russian Circles.  This was one of my favorite festivals of all time.  It was a festival I had wanted to attend for a a few years now and I decided to go for it.  I am so glad I did.

-It’s A Kling Thing House & Girley House.  Both houses put on some amazing shows in 2011 with local acts as well as touring bands.  Seeing Jeff Rowe over the summer as well as Mixtapes just a month or so ago in a basement is as good as live shows get for this guy.

-Daytrotter’s Barnstormer Tour.  What a great evening of music that was.  The show was in a freaking barn.  Yes, I do not remember much as the beers were going down like water, but I know I had a blast with some pretty special people.

The Suck:

-Ben Weasel’s SXSW blowout.  Sadly I was on the other side of town watching Cleveland’s very own Ringworm in a ghetto ass bar.  Don’t ask me why I skipped out on seeing Screeching Weasel live, I was under the influence of many ice cold Lone Star beers.  Honestly, I am kind of glad I missed Weasel acting like a little girl on stage.

-Danzig’s Fun Fun Fun hissy fit.  One of the main reasons I wanted to go to Fun Fun Fun Fest was because the Danzig Legacy was playing it.  I was stoked to finally see Danzig sing some Misfits songs with Doyle on stage.  Instead I witnessed a diva take the stage late and get their set cut as they played past curfew.  I only heard two Misfits songs and left with a bad taste in my mouth.  People can think what they want about Danzig and that night.  I was in the crowd watching heater being pulled on stage as well as the side of the stage tarped up so that little Glen would not get cold.  It was over an hour until the stage met his needs and the dude was fully aware of the curfew.  I will say that the two Mistfits songs had me feeling like a kid all over again.  Shame I could not witness the entire set that he had planned.  Lucky for me Ted Leo did a TV Casualty set the next day and made up for the Danzig drama.

-Seeing NOFX over Those Darlins.  I regret that decision a lot.  Two of my favorite bands played the same night and I had to choose one over the other.  The good news was that I got to see and meet Old Man Markley.  Sorry Darlins, I will not miss you next time you all hit up Cleveland.  Please forgive me.

-Atari Teenage Riot’s Cleveland show getting cancelled.  I was stoked to see these guys and was prepared to lose my hearing that night.  Hours before the show, their promoter cancelled the show.  Needless to say, I was pissed.

-92.3 and 107.3 changing formats.  Cleveland is a lost cause with radio now that both those stations were yanked.

Wrapping it up…

2011 ended with a bang for this music lover.  Thanks to all my friends from all over who made this year extra special for me.  You all know who you are.  From letting me crashing on couches to allowing bands to play in their basements you helped make this year what it was.  Also to everyone who attended shows with me and shared the same passion I have for music, thanks.

Happy holidays everyone and thanks for taking a part out of your day to visit this site.

Ok 2012, let’s see what you have in store.


Acoustic, Cleveland, Country, Folk, Good Times, Live Shows, Music, New Release, Outlaw Country, Review, Rock, The Awesome

Album Review: Wagons – Rumble, Shake and Tumble

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Henry Wagons and I met by chance one day last September.  He was an opening act for Those Darlins that night and I remember the tall Aussie armed with a headband and acoustic guitar impressed me beyond belief.  His set filled up the tavern that night with outlaw folk/country jams making me an instant fan.  After his set I learned that Henry Wagons hailed from Melbourne, Australia, and actually left his band, Wagons, back home as it was too tough to fly everyone to the states.  Even though they were a pretty big deal back home, Henry Wagons took it upon himself to spread their music to the states.  I left that night with a copy of a Wagons CD titled Rise and Fall of Goodtown, a sweet towel and new love for an Australian band.

I tried my hardest to see Wagons play at SXSW in Austin, TX, this past spring, but thanks to a botched flight, I did not get there in time.  Rumor has it, Wagons turned a bunch of heads with a memorable set in which they played new material off a new album.  Needless to say, I was bummed out that I missed my chance to see Wagons and hear some of the upcoming tunes.

Luckily for me and many other fans, Wagons dropped their fourth all new release titled Rumble, Shake and Turn on Thirty Tigers toward the end of the summer.  The album is country, it’s rock, it’s even a little cabaret and sure as hell is full of outlaw tendencies.  When listening to Wagons, you get a sense you have heard the music before not just from your father’s collection, but also from your grandfathers collection you might have been exposed to at a young age.  The band takes generations of music and blends it perfectly into their own style guaranteed to turn some heads.

Opening track “Downlow” is very Tom Petty sounding from the get go with lyrics that almost could emulate Wagons’ very own wit and charm.  “I Blew It”, a quite addicting track to listen to, immediately followed full of outlaw country styles as well as some Elvis-sounding growling within.  The music video as seen below is pretty damn amazing as well.  “Moon Into The Sun” was about as country twang as any track on the album gets with a more sensitive Wagons declaring “my life has been a fucking mess without you.”.  Wagons’ singing on this track easily brought the listener back to the days of Twitty, Williams, Jennings, Haggard, and even a starving young Cash and seemingly did not sound like he was even trying to.

The ever catchy tribute to Willie Nelson,  properly titled “Willie Nelson”, deserved multiple plays on account of how fun it was to listen to.  Comparing Nelson to other greats, I loved how Henry Wagons shifted his accent  (“Willie Nel-sun!”) in a clear comical attempt to mess with the listener yet pay a homage to a country great.  “He likes some salt and pepper with his evening meal” is repeated over and over by Wagons about his favorite musician in the country music business and as much of a tribute the song was, it was just hilarious to listen to.  I would love to know what Nelson’s reaction was about this track.

“Love Is Burning” was an unexpected track on the album that was more rock and roll than anything.  “My Daydreams” was a thoughtful track spanning around romance that easily has the ability to swoon.  Wagons’ had no problem recalling the outlaw greats throughout the track as the band backs him up.  “Save Me” was a simple upbeat tune with easy sing-a-long qualities, more of that country twang and even a little blues thrown in.  “Follow The Leader” moved along with almost a train track rhythm only to jump rail and turn psychedelic for a moment.  i did not know what to think about this song.  It definitely strayed away from the rest.  “Marylou” ended the album and at the very end, Wagons closes out the album with a sigh making me wonder how personal that track really was to Wagons.

Rumble, Shake and Tumble was a great album from start to finish full of American genres with a modest Australian twist.  Wagons and company pull off yet another impressive release that more people need to check out.  Wagons has quite the fan base back home and I am pretty sure before long, we Americans will be picking up on their talent.

Wagons is actually back on a US tour in support of the new release and will be stopping at the Beachland Tavern in Cleveland this Sunday Sept. 11th.  Tickets are only $8 and if you fathom yourself a folk/country/rock fan, you would be doing yourself a favor seeing them live.  Not only is the music good live, but Wagons himself is a pretty candid guy.  Don’t be lame.  Get up there Sunday night.

Acoustic, Music, Music Video, New Release, Punk, Review, Rock, Solo

Album Review: Dan Andriano In The Emergency Room – Hurricane Season

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Dan Andriano, also known as the bassist/singer of Alkaline Trio, recently released an impressive solo album called Hurricane Season. Under the moniker Dan Andriano In The Emergency Room, the man took the album into his hands, literally.  He wrote all the songs, played/sang all the music (sans the organ, piano, and a couple of harmony vocals), and even produced it.  It is safe to say that Hurricane Season is indeed a true solo album.  The man even took it upon himself to supply the photos as seen throughout the album and booklet.

Andriano, in case you live under a rock, is one of the impressive three that make up the popular punk rock band Alkaline Trio.  Formerly of Slapstick, he is known these days for his distinguishable signing in many AK3 songs (including “Fine” as heard on AK3’s last full length This Addiction). Andriano has toyed with side projects in the past including a 2002 split as well as been a part of the punk rock supergroup The Falcon.   He writes, he plays, he performs, and this time with help from Asian Man Records, he has given his talent a challenge of sorts and dropped quite the impressive album.

“It’s Gonna Rain All Day” opens the ten track album with Andriano doing what he does best; write heavy, meaningful lyrics.  Such the sorrowful track with piano sneaking in and out of acoustic guitar playing making for one of my favorite tracks on the release.  “Hurricane Season” followed in a more upbeat rock feel with some familiar cries coming from Andriano’s pipes.  “Hollow Sounds” was more of an acoustic jam with many the reference to addicting temptations and comparisons revolving around a heartfelt memory.

“Let Me In” was a busy rock track throughout, impressive when you think that one man put it together by himself.  “On Monday” had a nice country/rock feel to it.  “The Last Day We Ever Close Our Eyes” was the closest thing on the entire album that resembled a heartfelt track.  Then came, “From This Oil Can”, a seemingly happy ending to Hurricane Season that easily was meant to swoon someone in a clever, direct way.  I really enjoyed this closing track a lot.

Hurricane Season was an album full of songs that easily could have been mistaken for AK3 b-sides or acoustic jams, but I know that is not at all what he was looking to do.  Dan Andriano In The Emergency Room was more of a personal sounding voyage with deep tracks most likely that have been trapped in his mind for quite some time.

Andriano does contribute quite a lot to AK3, so it is not surprising that a lot of the tracks on Hurricane Season are dark and lost.  Knowing though that this album is a solo release means that Andriano has offered so much more to it over the the typical 1/3 he probably does in AK3 as the two other members help make AK3 what they are too.  The result is a personal tribute to himself.  If anything, an amazing musician who probably just wanted to play some songs all by himself for others to listen to did just that.  I just hope he takes this solo project on the road, only time will tell. See tour dates below.  No Cleveland show, but who knows, maybe next time!

Fall Tour Dates:
Sept. 9th – Gainesville, FL at The Double Down
Sept. 10th – Naples, FL at Flieschmann Park
Sept. 11th – Ybor City, FL at Crowbar
Sept. 13th – Charlotte, NC at The Evening Muse
Sept. 14th – Chapel Hill, NC at Local 506
Sept. 15th – West Columbia, SC at New Brookland Tavern
Sept. 16th – St. Augustine, FL at Cafe 11
Sept. 24th – Chicago, IL at The Bottom Lounge

Acoustic, Cleveland, Folk, Live Shows, Music, Music News, Rock

Ten Things Mike Doughty Would Like You To Know About His New Album

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Mike Doughty has a new album coming out on August 30th called Yes And Also Yes.  The man, known for his lead in the now defunct Soul Coughing, continues his quest to entertain the masses one clever song after another.

There is still some time before the album drops, but Doughty wants everyone to know some things about his album.  Ten things to be exact:

TEN THINGS MIKE DOUGHTY WOULD LIKE YOU TO KNOW ABOUT HIS NEW ALBUM…

# 1 “The title, YES AND ALSO YES was the headline of my profile on an online dating site. I improvised it off the top of my head, because they wouldn’t let me post until I wrote a headline. I was unsuccessful at online dating”

# 2 “The first single, “NA NA NOTHING”, was partially stolen from a song written by Nikki Sixx, Dan Wilson (wrote “Closing Time”), and Matt Gerrard (wrote a bunch of tunes in “High School Musical.”) (I got their permission to steal it)”

# 3 “Holiday,” a Christmas song, is a duet with Rosanne Cash. I did a show with her, and she said, onstage, “I feel nervous playing my new songs, because Mike Doughty is here, and he’s such a great songwriter.” That BLEW MY MIND.

# 4 “The song “Into the Un” was written for, and rejected by the Twilight soundtrack. (It’s about goth kids on LSD in a train station)”

# 5 “I recorded it in a studio in Koreatown, Manhattan, from July ’10 to April ’11. Pat Dillett produced. Notable musicians included my trusty factotum Andrew “Scrap” Livingston on bass, and the pianist Thomas Bartlett, aka Doveman, who basically plays with everybody who’s groovy (Justin Bond, Antony and the Johnsons, Glen Hansard, the National, David Byrne, Yoko Ono). I’m releasing it on my own label, SNACK BAR, through Megaforce. I split with Dave Matthews’ label ATO so I could run my own shop and have more control, business-wise.”

# 6 “I wrote most of the songs at the legendary artists’ colony Yaddo, where Leonard Bernstein, Aaron Copland, James Baldwin, Truman Capote, Flannery O’Connor, Carson McCullers, Sylvia Plath, and a lot of other all-time giants worked. It was founded by a railroad tycoon’s wife, in her mansion, built in the 1890s. They put up artists for a month or two, feed them in an opulent dining room, and give them space and time to work.”

# 7 “I used a capsule of the antidepressant duloxetine as a percussion instrument on some tracks. I held the tiny pill between my thumb and forefinger, put it close to the mic and shook it so it made a shcka-shcka-shcka! sound.”

# 8 “I wrote a book about my ugly, drug-doing years called THE BOOK OF DRUGS. It’s coming out in 2012 on Da Capo/Perseus.”

# 9 “The song “Makelloser Mann” is in German”

# 10 “I play a Chinese lute (called a zhong ruan) on the song “Telegenic Exes #1”

# 10.5 “…in the liner notes, I say I exclusively wear Paul Smith suits and Sol Moscot eyeglasses, and eat only gummi bears made by Haribo. I did this because I hope they’ll send me free stuff…”

I have yet to hear anything off his new release (and am very curious to hear the duet with Cash), but if it is any thing like his previous releases, I know it is going to rule.

Look for Doughty to be touring this fall in support of his new release.  He is even making a stop in Cleveland.  Nov. 13th at the Beachland Ballroom.  Get your tickets now!

90's, Music, New Release, Punk, Review, Rock

Album Review: Fact To Face – Laugh Now, Laugh Later

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I am seriously in an old school punk rock overload as of late these days and could not be happier. It seems as if all these bands I used to adore as a kid are coming out of the woodwork and are releasing albums as well as touring in support of them.  In the last week alone I have seen live performances by some amazing bands from the 80s and 90s including Bad Religion and Strung Out. There is one band though that I was most excited for, a band that I was more or less obsessed with in my high school years.

Seeing Face To Face live completely blew me away.  I saw them last summer at the Warped Tour and they sounded great, but their set was so short it was almost depressing.  For more on the show check out the review I posted last week.

Let’s talk about Face To Face…

Trever Keith and company may have stated that Face To Face was done back in 2004 due to indifferences, but just four years later the band decided to regroup but had no plans on releasing new material.  Featuring Keith (the only original member), Chad Yaro, Scott Schiflett, and Danny Thompson, the California punk rock act is back in the scene.  Not only have they been hitting the roads, but they have also decided to drop an all new album titled Laugh Now, Laugh Later on Antagonist Records. This is the band’s first album release in almost eight years.

“Should Anything Go Wrong” opened the album off strong and almost sounded as if the band never took a break.  With a catchy chorus and fierce guitar playing, the song reminded me why I have loved this band for so long.  “It’s All About You” follow and was a little less intense, but Keith’s lyrics just made the song as well as the fun guitars throughout, especially midway through.  Just two songs in on the album and I was already impressed.

“The Invisible Hand” was an instant classic to my ears.  With lyrics of trying to grasp on to what you can not have, the track immediately was lodged in my mind.  Although I liked the bass lines in “Bombs Away”, I felt the song was a little too Ignorance Is Bliss for me and I just could not get into it.  “Blood In The Water” was a good track though and begged for another listen as was “What You Came For”.  “I Don’t Mind And You Don’t Matter” really could have been left off the album as it just did not fit in with the rest.

“Stopgap” was a nice harsh track with Keith repeating  “you got something you want to say to me / so what’s your story better get it straight / don’t waste my time with your apologies” throughout carried by some great guitar work and drumming.  In a more positive feel, “All For Nothing” was a decent love song that had a couple Social D-sounding notes thrown about.

“Pushover” tried hard to hang on to the old school Face To Face sound.  While the track sounded great, I felt the bass riffs could have been faster and heavier.  They seemed to hide behind a lot of the track on the album, especially this one.  The track was also incredibly short and just dropped off leaving “Under The Wreckage” to close things up on the album.

I interviewed Keith a few years back and remember him saying that they missed playing shows and he had no intentions on recording new material.  It did not sound like he was that excited to create a new album as much as he was with playing older material, but I am pretty sure the tables have turned.  Laugh Now, Laugh Later may not be the best thing I have heard come from Face To Face, but there are a couple gems in there.  I am just more thrilled the band is back and doing their thing.

As previously mentioned, I saw them live about a week ago and they killed it on stage.  Throughout their set their played three of the new tracks and, to me, they fit in just fine with all of the classics they created years ago.  The one thing though that impressed me the most though was how happy Keith and crew were on stage.  They were having a good time doing what they love best and as a fan, I could not ask for anything more.