Tag Archives: Album

Album Review: Lucero – Women & Work

I am sure it’s pretty safe to say that Luerco is a band name that many have you have at least heard of.  Maybe you are a huge fan of them already, or perhaps you have been meaning to check them out.  For all I know, you have no idea who I am talking about. 

My point is, if you are reading this, you now are aware of a band who calls themselves Lucero and I hope by the time you finish reading this mess of works you check them out if you have not done so already.

The boys in Lucero, for those of you who do not know, hail from Memphis, TN, and have been mixing their punk rock roots with their Southern style creating some entertaining  country and indie folk rock music since the late 90s.  Recently the band dropped their ninth release in their career titled Women & Work.

The honky-tonk “On My Way Downtown” started the album right with the pure intention of getting the girl to come out and have some drinks.  “I know the last time we drank I was a little less than behaved” was sung by Ben Nichols and rubbed off as an honest apology.  The horn-heavy title track “Women and Work” followed with a let’s-drink-this-bad-day-away-feeling.  I loved the repeating lyrics: “Come on kid, let’s drink ’em down.  Kid don’t let it get ya down.”

“Juniper” was one of my favorite songs on the album.  It was just a fun upbeat Southern country / rock track perfect for getting weird to.  The combination of horns and twang was perfect.  I could only imagine the appearance (Read: “A dark-eyed beauty and a dangerous thing”) of the woman this song surrounded. 

I found myself enjoying “Who You Waiting On?” mainly with the story told.  It was a simple jam but the lyrics provided a clear image of a guy trying his luck at picking up a lone lady during last call. 

The sorrowful “I Can’t Stand To Leave You” captured perfectly that which is called heart break.  I felt the pain in that song and would be lying if I said I never felt that way once in my life. 

“When I Was Young” reminded me that age may only be a number, but memories will last a lifetime.  “Go Easy” ended the album with a  gospel vibe especially when the  female backing vocals kicked in.  “Go – go easy.  And we’ll find our way” repeated throughout the track and eventually put the album to rest.   It was a nice switch, but something I was not expecting at all.

Overall, the album was a great listen, but there were two changes I noticed.  First, I found myself missing the punk rock vibe.  I did not feel it like I have in previous Lucero albums.  It was almost like they decided to set it on the shelf this round.  Secondly, Nicolis’ voice was not nearly as raspy.  There is just something about his scratchy singing voice I have always been a fan of.  On Women & Work, his voice is a tad smoother, almost as if he was dropping lozenges while singing. 

I will say that this album grew on me tremendously after my initial listen.  At first I was scratching my head on if I liked it, but after a couple of times through, I was hooked.  I loved how personal the album was throughout and how I related with the lyrics.  It’s catchy and it’s something that punk rockers and country lovers can all enjoy equally.  Women & Work is one of those kinds albums I’d have my parents listen to and I know they would not give me shit for it, but rather, ask for more.

Album Review: Every Time I Die – Ex Lives

Buffalo, NY’s punk / metalheads, Every Time I Die (ETID), recently dropped an all new release titled Ex Lives on Epitaph Records.  Produced by Joe Barresi (Queens of the Stone Age), the album shot up the Billboard charts very quickly and landed in the top 20s.  That right there has go to tell you something.

This marks the sixth full-length release for the five piece band in their 14 year career.  That’s not to say that the last 14 years have been easy for ETID as their line up has been a revolving door with members coming and going.  Even with the challenges of keeping the band intact, ETID managed to continue on and after hearing Ex Lives, I have to say I am glad they did.  I will point out I am not the biggest ETID fan.  I know what they are capable of and appreciate all that they do in the music world.  In other words, I am one of those people who love “We’rewolf”.

The album starts off beyond insane with “Underwater Bimbos From Outer Space” (nice title by the way).  “I want to be dead with my friends” repeats at the beginning of this fast, brutal song that pretty much got me all sorts of excited to hear the rest of the album.  Keith Buckley and crew sound amazing on this track. 

“I Suck (Blood)” was just a thrashed mess of screaming and guitar playing guaranteed to keep you angry.   “Partying Is Such Sweet Sorrow” had a Southern rock vibe throughout but kept things moving for the best.  Kind of reminded me of when Pantera jumped off their path on some of their songs back in the day. 

I will say that “Revival Mode” caught my attention as it took a complete total different route and was more or less a 90s grunge rock song at times, but I liked it for what it was worth.  (Seriously, did anyone else hear some Layne Stanley in there?)

“Drag King” made me wonder how Buckley still has vocal chords with all that screaming, but he was able to add some melodic singing throughout the track.  The fast-paced “Touch Yourself” followed and all I could think of was a sea of kids going ballistic at a live ETID show.  Ending things was “Indian Giver”, a darker track that praised the loss of a good person.

I’ve seen reviews of this album already and some people think some of the sound sound recycled from New Junk Aesthetic.  I can’t say I am hearing the same things from their previous releases, but the style remains, and that is what makes a band what they are.  If you are into insane screaming and metal formed around some very intense lyrics, you should check out Ex Lives.

ETID will be on the Van’s Warped Tour this summer.  I have seen them in the past life and will tell you, they are not a show to be missed. 

Track List:
Underwater Bimbos From Outer Space
Holy Book of Dilemma
A Wild, Shameless Plain
Typical Miracle
I Suck (Blood)
Partying Is Such Sweet Sorrow
The Low Road Has No Exits
Revival Mode
Drag King
Touch Yourself
Indian Giver

Repo Man Soundtrack Tribute In The Works!

I’ll admit, I am not one for tribute albums and never really have been.  There are a couple of exceptions out there (Bad Religion’s tribute from SPIN Magazine is one of them), but overall I just turn my head away usually when I hear the term “tribute album”.

Today was one of those days I changed my mind about a certain tribute.  Earlier today, I heard about a tribute album and rather than ignore it, I got excited.  I got really excited.

American Laundromat Records announced today that they would be releasing a tribute for the soundtrack to the 1980s cult classic Repo Man. Having a tribute featuring modern day bands cover classic late 70s / early 80s punk rock tracks from one of my favorite soundtracks to date has the potential to be seriously awesome.

Maybe it is because I adore the movie so much that I like this idea, or perhaps the fact that Those Darlins are covering the title track for Repo Man originally performed by Iggy Pop.  Come to think, it could even be because Polar Bear Club is covering Black Flag’s “TV Party”.

Regardless, this is one of those “exceptions” I spoke of earlier in regards to tribute albums, and I have already put in my pre-order for the CD that drops September 18th.

Why did I pre-order so early? Check this out (taken from ALR’s website):

All pre-order customers receive a 6-panel CD eco-wallet featuring original artwork by revered rock poster designer Lonny Unitus (Melvins, Decemberists, Willie Nelson), bonus promo pin, album preview prior to release date and, while supplies last, an official Little Trees’ royal pine tree-shaped air freshener which were featured in the film — “you find one in every car… you’ll see” (Miller to Otto).

Did I mention the CD pre-order bundle is only $10? Click HERE to pre-order one for yourself.  See the track list below.

While you are at it, click HERE to check out a post I did in 2009 about why I like Repo Man so much.

Track List:
“Repo Man” – Those Darlins
“TV Party” – Polar Bear Club
“Institutionalized” – Amanda Palmer & The Grand Theft Orchestra
“Coup d’Etat” – New York Rivals
“El Clavo y la Cruz” – Black Francis
“Pablo Picasso” – The Tellers
“Let’s Have A War” – Mike Watt
“When The Shit Hits The Fan” – TBA
“Hombre Secreto (Secret Agent Man)” – Matthew Sweet
“Bad Man” – TBA
“Reel Ten” – Weekend

Album Review: Useless ID – Symptoms

As many of you know, good, wholesome punk rock is not just an American thing.  Middle Eastern punk rockers Useless ID can prove that and have been for almost 18 years.  The foursome, who hail from Haifa, Israel, signed with Fat Wreck Chords last year and recently released Symptoms.

So what took Fat Wreck Chords so long for them to suck them in?  Well, perhaps because the band never seems to sit still and is too busy playing shows all over the world and befriending anyone in their path.  Regardless, Fat Wreck Chords has them now and I seriously doubt they will be letting go anytime soon.

Symptoms was recorded with the legendary Bill Stevenson and Jason Livermore (Rise Against, NOFX) at The Blasting Room Studios once the band was able to come back to the states from their current hometown of Tel Aviv.  The result of months of hard work is a pop punk gem that Fat Wreck Chords should be beyond proud of.  (I’m talking “dad, I just won my first fistfight in grade school” proud.)

“Live or Die” started the 12-track album off full of pop punk goodness.  I was set back at how great this song started off the album.  The lyrics were catchy, the music was solid and I wanted more.  Good thing I was only on the first track.  Lucky for me “Before It Kills” followed with the same amount of substance I was already craving.  Hell, the second track was better than the first.

“I’m just suffering with you” repeats throughout “Normal With You”, a very singable track.  “Erratic” hints heavily towards something Lagwagon might have meant to do years ago.  I loved the lyrics on this track a lot and found myself singing “Down over the low, there’s always something on my nerves that gets me so erratic” almost instantaneously.  Add in a great breakdown halfway though, and you have yourself a must hear song on the album.

“Mani Depression” sounded to me like what would happen if the Descendants and Cobra Skulls would have joined forces.  This was another killer track on the album and I think anyone who thinks that 90s punk rock is the best should take a listen to this track.  I felt 18 all over again listening to it and favored this track over all of the others without a doubt.  “Sleeping With Knives” was another track I just dug a whole lot.  It was just one of those songs that once I listened to it for the first time, it felt like I had heard it a million times before.

If  “Symptoms” was the post-breakup song, then “Obsessive Compulsive Disorder” without a doubt was the “I’m so over you” realization.  “Your obsessive compulsive disorder creeps me out, I don’t want it” loops throughout the track that hints at anything more than to go away.  “Somewhere”, on the other hand, ended the album with almost a feared reconciliation.

If i had to describe what Useless ID sounded like to someone, I would tell them to take the pop punk from the Ataris, vocals of Milo and mix them up with loads of Cali 90s punk rock riffs.  Symptoms has been in the CD player of my car for weeks now.   I have listened to it over and over form start to finish and each time it ends I just tell myself that I need another listen.

It’s early on in 2012 and Symptoms already has a place on my best of list.  This was a shocker of a release for me.  I have a split by them as well as The Lost Broken Bones, but there is just something about this album that has turned them from a punk band I like, to one I adore.  This is about the time when I tell everyone that I will be digging into their catalog.  That is a given.  If you like 90s punk rock you need to check out Useless ID’s latest release.

Fat Mike Writes A Ragtime Album?

It’s true folks.  Fat Mike, you know that guy who boozes it up a lot in NOFX, has written a ragtime album that will also supply as the soundtrack for Soma Snakeoil’s new fetish film Rubber Bordello.

Remember “Buggly Eyes” from White Trash, Two Heebs, and a Bean?  Well you can expect an entire album full of music just like that song. 

It’s actually something Fat Mike has wanted to do for years.  Teaming up with members of the Mad Caddies and Tom Waits’ backing band, Fat Mike has created 10 old time-y ragtime tunes guaranteed to entertain.  His music also will provide for the soundtrack to a flick that is probably best stored in a shoebox under your bed.

HEADS UP! Rubber Bordello is for mature audiences only, so make sure you are 18+ before heading over to the site to check out the preview of the movie.  It’s not for everyone.  Let that be your warning…

Head over to iTunes to check out Fat Mike’s soundtrack and snag it for yourself!  I will have a review shortly up here.